6.2
Viewer Rating
Combines user and critic ratings from four sources
One, two - woe, never mind (1989)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 6.2
Overview
Defeating the terrible dragon, the soldier Ivan returns from the war. The Far Far Away rejoices. The king, also Ivan, is very pleased. He awards the namesake with an order with pearls, appoints a field marshal and offers his wife his own daughter Maria Louise. But the soldier suddenly refuses everything.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
Defeating the terrible dragon, the soldier Ivan returns from the war. The Far Far Away rejoices. The king, also Ivan, is very pleased. He awards the namesake with an order with pearls, appoints a field marshal and offers his wife his own daughter Maria Louise. But the soldier suddenly refuses everything.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
This Soviet children's musical fairy tale subtly aligns with left-leaning values by emphasizing collective problem-solving, mutual support, and community cohesion as the primary means to overcome challenges, rather than individualistic heroism.
This 1977 Soviet children's fantasy film features traditional casting consistent with its era and source material, without intentional race or gender swaps. Its narrative maintains a neutral or positive framing of traditional identities, typical of a classic fairy tale, and does not incorporate explicit DEI themes.
Secondary
Without any provided information about the film's content, it is impossible to assess the portrayal of LGBTQ+ characters or themes. Therefore, the film's net impact on LGBTQ+ representation is classified as N/A.
Based on the information provided, the film does not feature any identifiable transsexual characters or themes. Consequently, there is no depiction to evaluate, resulting in a net impact rating of N/A.
The movie does not contain any action or adventure elements.
The film is an adaptation of a traditional Russian folk tale, "The Soldier and Death." All major characters, such as the Soldier, Death, the Tsar, and the Princess, maintain their canonical genders as established in the source material.
This 1988 Soviet fairy tale film is an adaptation of a Russian folk tale. The characters are implicitly white/Slavic in the source material and are portrayed by white actors in the film, consistent with the cultural context. There is no evidence of a character's race being changed from an established baseline.
Viewer Rating Breakdown
User Ratings
6.7
5.7
Critic Ratings
N/A
N/A
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