7.0
Viewer Rating
Combines user and critic ratings from four sources
588 rue Paradis (1992)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.0
Overview
A successful playwright reflects on his journey from his Armenian roots to adapting in France, forty years after his family's move to Marseilles. He now goes by a new name to fit in better with French society.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Positive
Overview
A successful playwright reflects on his journey from his Armenian roots to adapting in France, forty years after his family's move to Marseilles. He now goes by a new name to fit in better with French society.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film portrays the universal human experience of an Armenian refugee family's integration into French society, emphasizing resilience, strong family bonds, and individual effort to overcome adversity, rather than promoting a specific political ideology.
The movie features a cast that reflects the specific ethnic background of an Armenian immigrant family, providing visible diversity inherent to its autobiographical narrative. Its story explores the experiences and identity of this minority group without explicitly critiquing traditional identities or employing intentional DEI-driven casting strategies.
Secondary
The film portrays Armenian Christianity as a cornerstone of the protagonists' identity, culture, and resilience. It is depicted with dignity and sympathy, serving as a source of strength and tradition for a community that has endured immense suffering.
The film "588 rue Paradis" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on the Armenian genocide and a family's experiences, leaving no portrayal to evaluate within the scope of this framework.
The film "588 rue Paradis" is a drama centered on the experiences of an Armenian immigrant family in France. The narrative primarily explores themes of family, cultural identity, and the challenges of immigration. There are no identifiable transsexual characters or themes present within the film's storyline or character arcs.
The movie does not contain any action or adventure elements.
The film is an autobiographical account of director Henri Verneuil's family. All major characters, based on real historical figures, are portrayed on screen by actors of the same gender as their historical counterparts. No instances of gender swapping are present.
The film is an autobiographical work based on the director's Armenian family. The characters, historically and canonically Armenian (a group generally categorized as white/Caucasian), are portrayed by actors of European or Middle Eastern descent, maintaining the broader racial category. No character established as one race is portrayed as a distinctly different race.
Viewer Rating Breakdown
User Ratings
6.9
7.2
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.1
Kitchen with Apartment
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.1
Good Old Daze
(1995)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
Welcome to the Sticks
(2008)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Red Balloon
(1956)
Political: Center
Diversity: Low
Leans Traditional
7.2
The French Kissers
(2009)
Political: Center
Diversity: Low
Center
6.6
You Are So Beautiful
(2005)
Political: Center
Diversity: Low
LGBTQ: Positive
Progressive
7.5
The Crime Is Mine
(2023)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
6.9
Ruby & Quentin
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.5
Summer Things
(2002)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Progressive
6.9
Russian Dolls
(2005)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.0
Antoine & Antoinette
(1947)
Political: Center
Diversity: Low
Leans Traditional
7.2
Priceless
(2006)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Triplets of Belleville
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.8
La Belle Époque
(2019)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Rules of the Game
(1939)
Political: Center
Diversity: Low
Leans Progressive
7.6
L'Âge d'or
(1930)
Political: Strong Left
Diversity: Moderate
Center
7.3
Bridget Jones: Mad About the Boy
(2025)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Center
7.5
Monsieur Ibrahim
(2003)
Political: Center
Diversity: Moderate
Leans Traditional
7.8
With a Friend Like Harry...
(2000)
Political: Center
Diversity: Low