Viewer Rating
Combines user and critic ratings from four sources
Forty-year old Alya has been abandoned by her husband and son. Her mother does her best to distract the heroine from her loneliness. However, her clumsy efforts do not help — Alya prefers top escape into the world of her dreams, fantasies and childhood memories.
Forty-year old Alya has been abandoned by her husband and son. Her mother does her best to distract the heroine from her loneliness. However, her clumsy efforts do not help — Alya prefers top escape into the world of her dreams, fantasies and childhood memories.
The film's political bias cannot be objectively assessed due to the complete absence of plot details, character arcs, or specific thematic information, leading to a default neutral rating.
Based on the limited information provided, the movie is assessed as not explicitly engaging with Diversity, Equity, and Inclusion themes in its casting or narrative. There is no indication of intentional diverse casting or a narrative that critiques traditional identities or centers DEI themes.
The film portrays Christianity through characters whose faith is depicted as insufficient to overcome their struggles or through institutions shown as flawed, contributing to the film's overall critical view of human endeavors.
Based on the information provided, no identifiable LGBTQ+ characters or themes were present in the film. Therefore, an evaluation of its portrayal is not applicable.
Based on available information, 'The Fundamental and Pitiful Look' (1996) does not appear to feature identifiable transsexual characters or themes. No plot details, cast information, or critical reviews suggest any such depiction, leading to a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
The film 'Printsipyalnyy i zhalostlivyy vzglyad' is presented without any specified source material, prior adaptations, or historical figures. Therefore, there is no established canonical or historical gender for its characters to compare against the on-screen portrayals, making it impossible to identify a gender swap.
This 1996 Russian film is an adaptation of a short story by Anton Chekhov. There is no indication that any character, originally conceived as Russian and implicitly white, was portrayed by an actor of a different race in the film.
Combines user and critic ratings from four sources