6.3
Viewer Rating
Combines user and critic ratings from four sources
Moscow (2000)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.3
Overview
Moscow, the 90s ... A city without a past and without a future. A city that doesn't forgive mistakes. Showing Moscow bohemia, the criminal business: nightlife, easy money, excitement and confusion form the surface of this life. The main characters of the film are businessman Mike and his friend and partner in smuggling Lev, a psychiatrist Mark and his school friend Irina who became the mistress of a nightclub, her two daughters - a crazy Olga working in the same club as a singer, and Masha - the “Moscow Princess” on the threshold of her thirtieth birthday. Love stories smoothly flow into a crime drama.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
Moscow, the 90s ... A city without a past and without a future. A city that doesn't forgive mistakes. Showing Moscow bohemia, the criminal business: nightlife, easy money, excitement and confusion form the surface of this life. The main characters of the film are businessman Mike and his friend and partner in smuggling Lev, a psychiatrist Mark and his school friend Irina who became the mistress of a nightclub, her two daughters - a crazy Olga working in the same club as a singer, and Masha - the “Moscow Princess” on the threshold of her thirtieth birthday. Love stories smoothly flow into a crime drama.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film offers a bleak, diagnostic portrayal of spiritual and moral decay within the post-Soviet elite, focusing on universal themes of disillusionment and the search for meaning without advocating for a specific ideological solution, thus maintaining a neutral stance.
The film 'Moskva' features traditional casting that reflects its Russian context without intentional race or gender swaps for diversity. Its narrative focuses on philosophical and existential themes, rather than offering explicit critiques of traditional identities or centering on DEI themes.
Secondary
The film portrays Orthodox Christianity as largely ineffective in providing moral guidance or spiritual solace within a morally compromised post-Soviet society. While present, its institutions and symbols appear as a backdrop to the characters' cynicism and corruption, without offering a counterbalancing positive influence or redemption.
The film 'Moskva' by Aleksandr Zeldovich does not feature any discernible LGBTQ+ characters or themes. Its narrative primarily focuses on power, wealth, and relationships among a heterosexual cast in post-Soviet Russia, leading to a net impact rating of N/A.
The film 'Moscow' by Aleksandr Zeldovich does not feature any identifiable transsexual characters or themes. Based on available plot summaries and character descriptions, there is no depiction of transgender identity or related narratives, resulting in an N/A rating for its portrayal.
The movie does not contain any action or adventure elements.
The film "Moskva" (2000) is an original work with characters created specifically for the movie. There is no prior source material, historical record, or established canon from which character genders could be swapped.
The film "Moskva" (2000) is an original work with characters created specifically for this production. There is no prior source material, historical record, or previous adaptation to establish a canonical race for any character, thus precluding a race swap.
Viewer Rating Breakdown
User Ratings
6.3
6.3
Critic Ratings
N/A
N/A
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