Center
7.1
Caramelo
(2025)
Political: Center
Diversity: Moderate
Entra na Farra (1943)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Returning from a pleasant horseback ride, two lovers on their way home contemplate each other, entranced by the modesty inherent in the rigid customs they were raised in. The hero feels an irrepressible desire to come to Rio. In the capital, interested in a theater star, he heads to Buenos Aires to win her heart.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Returning from a pleasant horseback ride, two lovers on their way home contemplate each other, entranced by the modesty inherent in the rigid customs they were raised in. The hero feels an irrepressible desire to come to Rio. In the capital, interested in a theater star, he heads to Buenos Aires to win her heart.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's likely focus on light entertainment, music, and comedy, as suggested by its title and director's typical work, indicates an absence of explicit political themes, leading to a neutral rating.
Due to the absence of specific details regarding the movie's casting and narrative, a neutral assessment of its diversity, equity, and inclusion characteristics is provided, indicating a light presence of DEI.
Secondary
Based on the information provided, the film 'Entra na Farra' does not present identifiable LGBTQ+ characters or themes. Consequently, an assessment of its portrayal of LGBTQ+ elements is not applicable.
Based on available information, 'Entra na Farra' does not feature any identifiable transsexual characters or themes. The film's narrative focuses on typical sex comedy tropes without engaging with gender identity or transsexual experiences.
The movie does not contain any action or adventure elements.
There is no widely established source material or historical context indicating that characters in the 1943 Brazilian musical comedy "Entra na Farra" were originally of a different gender than portrayed in the film. Therefore, no gender swaps are identified.
This 1943 Brazilian musical comedy is an original film, not an adaptation of existing material or a biopic. There are no pre-established characters with canonical or historical racial identities to be altered.
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