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After settling in the tiny Australian town of Walkabout Creek with his significant other and his young son, Mick "Crocodile" Dundee is thrown for a loop when a prestigious Los Angeles newspaper offers his honey a job. The family migrates back to the United States, and Croc and son soon find themselves learning some lessons about American life -- many of them inadvertent
After settling in the tiny Australian town of Walkabout Creek with his significant other and his young son, Mick "Crocodile" Dundee is thrown for a loop when a prestigious Los Angeles newspaper offers his honey a job. The family migrates back to the United States, and Croc and son soon find themselves learning some lessons about American life -- many of them inadvertent
The film's central narrative revolves around a straightforward crime investigation and cultural comedy, with its resolution relying on individual common sense rather than promoting or critiquing specific political ideologies.
The movie features primarily traditional casting for its main characters, without explicit race or gender swaps of established roles. The narrative frames traditional identities neutrally or positively, focusing on culture clash rather than critiquing traditional roles or promoting explicit DEI themes.
Crocodile Dundee in Los Angeles does not feature any identifiable LGBTQ+ characters or themes. The film's plot and character arcs are entirely devoid of queer representation, resulting in a net impact of N/A.
The film "Crocodile Dundee in Los Angeles" does not feature any identifiable transsexual characters or themes. Its plot centers on cultural differences and an art smuggling investigation, with no elements related to transgender identity or experiences.
The film does not feature any female characters engaging in or winning close-quarters physical combat against one or more male opponents. The primary female character, Sue Charlton, is not portrayed as a combatant.
This film is a direct sequel where all established characters, such as Mick Dundee and Sue Charlton, maintain their original genders as portrayed in previous installments. No legacy characters from prior canon or source material have their gender changed.
No established characters from previous installments or source material were portrayed by actors of a different race in this film. All key returning characters maintained their original racial portrayal.
Combines user and critic ratings from four sources