4.1
Viewer Rating
Combines user and critic ratings from four sources
Collateral Damage (2002)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 4.1
Overview
Firefighter Gordon Brewer is plunged into the complex and dangerous world of international terrorism after he loses his wife and child in a bombing credited to Claudio 'The Wolf' Perrini.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Right
Diversity: Moderate
Overview
Firefighter Gordon Brewer is plunged into the complex and dangerous world of international terrorism after he loses his wife and child in a bombing credited to Claudio 'The Wolf' Perrini.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film leans right as its central solution champions individual action and vigilantism over ineffective government bureaucracy in response to international terrorism, aligning with themes of personal responsibility and skepticism of state efficacy.
The movie features a diverse supporting cast, reflecting the international setting of its narrative. However, its central hero is a traditionally portrayed white male, and the story does not engage with or critique traditional identities, nor does it explicitly incorporate DEI themes into its core plot.
Secondary
Collateral Damage is an action thriller centered on a revenge plot. The film does not feature any LGBTQ+ characters or themes, resulting in no portrayal of queer identity within its narrative.
Collateral Damage, an action-thriller, centers on a firefighter's pursuit of a terrorist responsible for his family's death. The narrative does not feature any transsexual characters or explore themes related to transsexual identity, resulting in no depiction within its storyline.
The film features female characters like Selena Perrini and Anne Fitzgerald. While Selena is involved in the terrorist organization and uses firearms, and Anne is a CIA agent, neither character engages in or wins close-quarters physical combat against one or more male opponents.
Collateral Damage is an original film with no pre-existing source material or historical figures. All characters were created for this specific movie, thus precluding any gender swaps from prior canon.
Collateral Damage is an original film with no prior source material, historical figures, or previous installments. All characters were created for this movie, meaning there is no pre-established race to be swapped from.
Viewer Rating Breakdown
User Ratings
5.5
5.8
Critic Ratings
1.9
3.3
More Like This
Leans Traditional
6.5
Terminator 3: Rise of the Machines
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.6
The Terminator
(1984)
Political: Center
Diversity: Low
Traditional
6.9
True Lies
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.2
The Count of Monte Cristo
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
6.6
Sweeney 2
(1978)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Traditional
7.4
Coogan's Bluff
(1968)
Political: Leans Right
Diversity: Low
Traditional
6.7
Black Sunday
(1977)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Miami Blues
(1990)
Political: Center
Diversity: Low
Traditional
6.6
The Gauntlet
(1977)
Political: Leans Right
Diversity: Low
Traditional
7.3
Patriots Day
(2016)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
The Towering Inferno
(1974)
Political: Center
Diversity: Low
Leans Traditional
6.7
Violent Night
(2022)
Political: Leans Right
Diversity: Moderate
LGBTQ: Neutral
Leans Traditional
7.4
Lethal Weapon
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.4
Dexter's Laboratory: Ego Trip
(1999)
Political: Center
Diversity: Low
Leans Traditional
7.2
Nightmare Alley
(2021)
Political: Center
Diversity: Low
Leans Traditional
8.3
All the President's Men
(1976)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Offence
(1973)
Political: Center
Diversity: Low