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Galosh No. 18 (1927)

Bias Rating
Analyzing...
Center
Viewer Rating

Not Rated

Galosh No. 18 poster

Overview

An office worker decides to buy new galoshes to replace his worn-out shoes. Believing that one cannot find good footwear at government-owned stores, he puchases galoshes from a private seller.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Moderate
Christianity: Negative

Overview

An office worker decides to buy new galoshes to replace his worn-out shoes. Believing that one cannot find good footwear at government-owned stores, he puchases galoshes from a private seller.


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

The film's title, 'Galosh No. 18,' and the absence of any plot details or thematic information prevent the identification of specific political biases, resulting in a neutral rating.

Due to the absence of specific details regarding the movie's plot, characters, or casting, a definitive assessment of its DEI characteristics cannot be made. The assigned rating reflects a neutral stance, assuming no explicit DEI elements or traditional portrayals are evident without further information.

Secondary

As a Soviet propaganda film from 1927, "Galosh No. 18" likely portrays Christianity as a symbol of superstition, ignorance, and the oppressive old regime, contrasting it with the progress and enlightenment offered by the new Soviet order.

The film "Galosh No. 18" does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate regarding queer identity or experiences within the narrative.

This animated short film does not feature any identifiable transsexual characters or themes. The narrative focuses on a boy's adventure to find his lost galosh, without engaging with transgender identity in any capacity.

The movie does not contain any action or adventure elements.

Galosh No. 18 is an original animated short film from 1927. There is no indication that it adapts characters from pre-existing source material or historical figures with established genders that were subsequently altered in this production. Therefore, no gender swaps are identified.

There is no widely established source material or historical record for "Galosh No. 18" (1927) that defines character races, making it impossible to identify a character whose race was canonically or historically established as one race and then portrayed as another. Therefore, no race swap can be identified.


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