Viewer Rating
Combines user and critic ratings from four sources

Honest police officer Surajbhan would like Rajeshwar Nath to provide all the material documents that can prove Raiszada Narsingh is a hardcore criminal. When Raiszada learns of this through his henchman Hansukh he kills Surajbhan and frames Rajeshwar Nath for this killing. Years later Surajbhan's son Ajit grows up with Raiszada and is willing to locate Rajeshwar Nath who now calls himself Girija Shankar so that he can avenge the murder of his dad.
Honest police officer Surajbhan would like Rajeshwar Nath to provide all the material documents that can prove Raiszada Narsingh is a hardcore criminal. When Raiszada learns of this through his henchman Hansukh he kills Surajbhan and frames Rajeshwar Nath for this killing. Years later Surajbhan's son Ajit grows up with Raiszada and is willing to locate Rajeshwar Nath who now calls himself Girija Shankar so that he can avenge the murder of his dad.
The film's central subject matter focuses on personal drama, romance, and individual heroism, which are largely apolitical themes. There is no evidence to suggest it explicitly promotes or critiques specific progressive or conservative ideologies, leading to a neutral rating.
The movie features traditional casting consistent with its Indian origin, primarily utilizing Indian actors. The narrative does not appear to critically portray traditional identities or center explicit DEI themes, maintaining a neutral or positive framing.
The film 'Samundar' by Rahul Rawail does not appear to include any LGBTQ+ characters or themes within its narrative. Therefore, there is no portrayal to evaluate, resulting in a 'N/A' net impact rating for LGBTQ+ representation.
The film 'Samundar' (1986) does not contain any discernible transsexual characters or themes. Consequently, there is no portrayal to evaluate regarding transsexual identity or experiences within the narrative.
The film features female characters in romantic and supportive roles. There are no scenes depicting any female character engaging in or winning close-quarters physical combat against one or more male opponents.
Samundar (1986) is an original film and not an adaptation of existing source material with pre-established characters. Therefore, no characters have a prior canonical gender to be swapped from.
Samundar (1986) is an original Indian film, not an adaptation of pre-existing material or a biopic. Therefore, its characters do not have a prior canonical or historical race to be swapped from, making a race swap impossible by definition.
As is common in mainstream Indian cinema of the era, the film likely depicts Hindu characters engaging in traditional practices and invoking deities without critique or irony. This portrayal implicitly affirms the dignity of the faith and presents its adherents with respect, aligning with the narrative's general acceptance of these cultural and spiritual elements.
Combines user and critic ratings from four sources























