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Vikram and Sunita love each other but Vikram's mother disapproves Sunita as her future daughter in law because of Sunita's poor background. Vikram and Sunita decide to marry without the will of Vikram's mother BUT on their way to temple, they come across with a serious accident. Vikram gets minor injuries but Sunita's face is completely lost due to piercing of wind screen's shattered pieces in her face. When Vikram comes to conscious, he asks his mother where Sunita is and she replies Sunita is dead. On the other hand she tells Sunita that she has completely lost her face and she should go out of Vikram's life. Sunita agrees. The doctor sends Sunita to Bombay and refers her to Dr. Mehra. Now will Vikram and Sunita be again united?
Vikram and Sunita love each other but Vikram's mother disapproves Sunita as her future daughter in law because of Sunita's poor background. Vikram and Sunita decide to marry without the will of Vikram's mother BUT on their way to temple, they come across with a serious accident. Vikram gets minor injuries but Sunita's face is completely lost due to piercing of wind screen's shattered pieces in her face. When Vikram comes to conscious, he asks his mother where Sunita is and she replies Sunita is dead. On the other hand she tells Sunita that she has completely lost her face and she should go out of Vikram's life. Sunita agrees. The doctor sends Sunita to Bombay and refers her to Dr. Mehra. Now will Vikram and Sunita be again united?
While the film's romantic drama core is largely apolitical, its resolution to adversity champions unwavering individual commitment and the sanctity of promises, subtly aligning with conservative values of personal responsibility and traditional fidelity.
The film features traditional casting for its cultural context, primarily showcasing Indian actors without explicit race or gender swaps of traditionally white roles. Its narrative does not appear to critically portray traditional identities or center on explicit DEI themes, aligning with a neutral or positive framing of traditional identities.
The film portrays Hindu cultural practices and values as an integral and respected part of the characters' lives. Rituals, traditions, and familial values rooted in Hinduism are depicted without critique, affirming their role in the community and individual identity.
The film 'Yeh Vaada Raha' does not feature any identifiable LGBTQ+ characters or themes. Therefore, there is no portrayal to evaluate regarding its impact on queer representation.
The film 'Yeh Vaada Raha' (1982) does not feature any discernible transsexual characters or themes within its plot. Therefore, there is no portrayal of transsexual identity or experiences to evaluate against the provided rubric.
The movie does not contain any action or adventure elements.
This 1982 film is not identified as an adaptation of source material with pre-established character genders, nor does it depict historical figures whose genders would be altered. Therefore, no characters are considered to have undergone a gender swap.
Yeh Vaada Raha (1982) is an original Indian film featuring Indian characters and actors. There is no prior source material or historical context where its characters were established as a different race before being portrayed in this film.
Combines user and critic ratings from four sources