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Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)

Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 7.0
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack poster

Overview

Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Bias Dimensions

Political: Leans Left
Diversity: Moderate

Overview

Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film leans left due to its central premise that Godzilla is a manifestation of the unquiet dead from Japan's WWII actions, punishing the nation for its historical amnesia and failure to acknowledge past atrocities, which aligns with progressive historical accountability.

The movie features a cast traditional for its Japanese setting, without explicit race or gender swaps of roles that would be considered traditionally white in a Western context. The narrative primarily focuses on kaiju action and national themes, offering a subtle critique of historical narratives rather than explicitly addressing traditional identities or DEI themes.

Secondary

This film, a kaiju movie centered on giant monster battles, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on military efforts and monster mythology, with no explicit or implicit LGBTQ+ representation present in the plot or character arcs.

The film "Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack" does not feature any identifiable transsexual characters or themes. Its narrative focuses exclusively on giant monster battles and human military responses, with no elements related to transgender identity.

The film focuses on giant monster battles and the human military's response. The primary female character, Yuri Tachibana, is a reporter who observes and documents the events. She is not depicted engaging in close-quarters physical combat against any male opponents.

The film features established kaiju (Godzilla, Mothra, King Ghidorah) whose genders remain consistent with their prior canonical portrayals. The human characters are original to this installment and do not represent gender-swapped versions of previously established characters from the franchise.

This film features original human characters for this installment, all of whom are portrayed by actors of Japanese descent, consistent with the film's origin and setting. No established legacy characters from previous installments or source material were depicted as a different race.


Viewer Rating Breakdown

7.0

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.0
The Movie Database logo
7.5

Critic Ratings

Rotten Tomatoes logo
6.5
Metacritic logo
N/A

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