7.2
Viewer Rating
Combines user and critic ratings from four sources
Godzilla: Tokyo S.O.S. (2003)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 7.2
Overview
Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Left
Diversity: Moderate
Overview
Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film leans left due to its central message, conveyed through Mothra, that humanity's technological hubris and interference with the natural order (using Kiryu) provoke conflict, advocating for environmental respect as the ultimate solution.
The movie features a cast typical for its Japanese origin, without engaging in explicit race or gender swaps of roles that would be considered traditionally white in a Western context. Its narrative focuses on the conflict with kaiju and does not explicitly critique or negatively portray traditional identities, nor does it center on strong DEI themes.
Secondary
Godzilla: Tokyo S.O.S. does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses entirely on kaiju battles and human efforts to combat them, with no elements related to queer identity or experience present in the film's plot or character arcs.
The film "Godzilla: Tokyo S.O.S." does not feature any identifiable transsexual characters or themes. The narrative focuses on giant monsters and military conflicts, with no elements related to transgender identity or experiences present in the story.
The film focuses on giant monster battles and military operations against them. No female characters are depicted engaging in close-quarters physical combat, martial arts, or melee weapon fights against male opponents.
This film is a sequel in the Godzilla Millennium series. It features established monsters and new human characters, along with one returning legacy human character (Dr. Shin'ichi Chûjô) who maintains his original gender. No characters established as one gender in prior canon are portrayed as a different gender.
Godzilla: Tokyo S.O.S. is a Japanese film featuring characters consistent with its setting and the franchise's origins. There are no instances where a character canonically established as one race is portrayed as a different race.
Viewer Rating Breakdown
User Ratings
6.4
7.1
Critic Ratings
8.0
N/A
More Like This
Center
7.5
Kamen Rider: Beyond Generations
(2021)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.0
Afro Samurai: Resurrection
(2009)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
7.0
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
(2001)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
Cells at Work!
(2024)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.8
Fate/Grand Order Final Singularity – Grand Temple of Time: Solomon
(2021)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Female Combat: Yes
Center
6.7
Assassination Classroom
(2015)
Political: Center
Diversity: Moderate
Leans Progressive
6.8
Doraemon: Nobita and the Knights on Dinosaurs
(1987)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.3
Castle in the Sky
(1986)
Political: Leans Left
Diversity: Moderate
Center
7.5
Inuyasha the Movie 2: The Castle Beyond the Looking Glass
(2002)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
7.0
Doraemon: Nobita's Dinosaur
(1980)
Political: Leans Left
Diversity: Moderate
Center
7.7
Dragon Ball Z: Bardock - The Father of Goku
(1990)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.5
Sword Art Online the Movie – Progressive – Aria of a Starless Night
(2021)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.5
Kamen Rider 555: Paradise Lost
(2003)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.9
Doraemon: Nobita's Treasure Island
(2018)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.7
Fate/Grand Order: Divine Realm of the Round Table - Camelot Wandering; Agateram
(2020)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Female Combat: Yes
Center
7.3
Inuyasha the Movie: Affections Touching Across Time
(2001)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.6
One Piece Film: Z
(2012)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.8
Pokémon the Movie: Secrets of the Jungle
(2020)
Political: Leans Left
Diversity: Moderate
Center
7.6
SPY x FAMILY CODE: White
(2023)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Female Combat: Yes
Leans Progressive
7.4
One Piece Film: Strong World
(2009)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes