5.1
Viewer Rating
Combines user and critic ratings from four sources
King Arthur (2004)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 5.1
Overview
The story of the Arthurian legend, based on the 'Sarmatian hypothesis' which contends that the legend has a historical nucleus in the Sarmatian heavy cavalry troops stationed in Britain, and that the Roman-British military commander, Lucius Artorius Castus is the historical person behind the legend.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Female Combat: Yes
Christianity: Positive
Overview
The story of the Arthurian legend, based on the 'Sarmatian hypothesis' which contends that the legend has a historical nucleus in the Sarmatian heavy cavalry troops stationed in Britain, and that the Roman-British military commander, Lucius Artorius Castus is the historical person behind the legend.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film consciously balances critiques of imperial power with themes of national defense and the establishment of a just, unified society under strong leadership, preventing a clear alignment with either progressive or conservative ideologies.
The movie features a predominantly white European cast without intentional race or gender swaps of traditionally white roles. Its narrative positively frames traditional identities, focusing on the heroism and leadership of its male protagonists, with no explicit DEI themes central to the story.
Secondary
The film features Guinevere, a skilled warrior, who actively participates in close-quarters combat. She is depicted using a sword to fight and overcome several male Saxon opponents during the final confrontation.
The film portrays Pelagian Christianity, as practiced by Arthur, positively, emphasizing free will and moral duty as the foundation for his heroic actions. While the institutional Roman Church is depicted negatively for its dogmatism and political maneuvering, the narrative ultimately champions Arthur's faith and positions the audience to sympathize with his Pelagian beliefs against the Church's condemnation.
The film 'King Arthur' (2004) does not feature any identifiable LGBTQ+ characters or themes. The narrative is centered on heterosexual relationships and the camaraderie of male knights, with no elements that could be interpreted as LGBTQ+ representation.
The film "King Arthur" (2004) does not feature any identifiable transsexual characters or themes. The narrative focuses on historical/legendary figures and events within a traditional gender framework, with no elements suggesting transgender identity or experiences.
The film adapts the King Arthur legend, portraying all major characters, such as Arthur, Lancelot, and Guinevere, with their historically and mythologically established genders. No instances of a character being depicted as a different gender from their source material were found.
The film's main characters, including King Arthur and his knights, are portrayed by actors whose race aligns with the traditional and historical depictions of these legendary figures. No race swaps were identified.
Viewer Rating Breakdown
User Ratings
6.3
6.3
Critic Ratings
3.0
4.6
More Like This
Leans Traditional
6.6
Southpaw
(2015)
Political: Leans Right
Diversity: Moderate
Center
7.5
The Outpost
(2020)
Political: Leans Right
Diversity: Moderate
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.6
The Lost Squadron
(1932)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Count of Monte Cristo
(2002)
Political: Center
Diversity: Low
Traditional
6.8
Closer
(2004)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.2
The Karate Kid
(1984)
Political: Leans Right
Diversity: Moderate
Leans Traditional
9.2
Schindler's List
(1993)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Last Samurai
(2003)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.1
Cold Mountain
(2003)
Political: Center
Diversity: Low
Traditional
7.1
The Birth of a Nation
(1915)
Political: Strong Right
Diversity: Low
Traditional
7.9
The Lives of a Bengal Lancer
(1935)
Political: Strong Right
Diversity: Low
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
7.3
Fury
(2014)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.7
Al Capone
(1959)
Political: Center
Diversity: Low
Leans Traditional
6.7
Hills of Home
(1948)
Political: Center
Diversity: Low
Traditional
7.1
Lone Survivor
(2013)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Cyrano
(1974)
Political: Center
Diversity: Low
Traditional
7.7
Von Ryan's Express
(1965)
Political: Leans Right
Diversity: Low