Center
8.2
Bāhubali: The Beginning
(2015)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Shri Krishnarjun Yudh (1945)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Chitrasen inadvertently humiliates Gabal Rishi, who approaches Bhagwan Shri Kishan and prays that the former be punished. Kishanji readily agrees to punish Chitrasen by beheading him with the Sudarshan Chakra. When no amount of pleas for mercy are adhered to, a compassionate Subhadra, moved by Chitrangini's plight, asks her spouse, Arjun, to intervene. The later, at first, refuses to take up arms against Kishanji, his friend, but subsequently relents - resulting in war - that will not only end their friendship - but may well also destroy the universe and annihilate Arjun, his brothers and their entire army.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Hinduism: Positive
Overview
Chitrasen inadvertently humiliates Gabal Rishi, who approaches Bhagwan Shri Kishan and prays that the former be punished. Kishanji readily agrees to punish Chitrasen by beheading him with the Sudarshan Chakra. When no amount of pleas for mercy are adhered to, a compassionate Subhadra, moved by Chitrangini's plight, asks her spouse, Arjun, to intervene. The later, at first, refuses to take up arms against Kishanji, his friend, but subsequently relents - resulting in war - that will not only end their friendship - but may well also destroy the universe and annihilate Arjun, his brothers and their entire army.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film, based on the Hindu epic Mahabharata, centers on universal themes of duty, justice, and the conflict between good and evil, guided by divine intervention, rather than promoting a specific modern political ideology.
This Indian mythological film features traditional casting for its characters, who are inherently Indian figures from Hindu mythology. The narrative focuses on the epic story and traditional values, without engaging in critical portrayals of traditional identities or explicit DEI themes.
Secondary
As a mythological film, 'Shri Krishnarjun Yudh' directly draws from Hindu scriptures, portraying deities like Krishna and Arjuna, their divine actions, and the associated moral lessons in a reverent and affirming light. The narrative aligns with and celebrates the virtues and dignity of the Hindu faith.
This 1945 mythological film, 'Shri Krishnarjun Yudh,' does not contain any discernible LGBTQ+ characters or themes. Its narrative focuses on traditional mythological storytelling, with no elements that could be interpreted as depicting queer identities or experiences.
Based on available information, 'Shri Krishnarjun Yudh' is a mythological film from 1945. There are no identifiable transsexual characters or themes present in the movie's plot or character descriptions. Therefore, the film has no depiction of transsexual individuals or related narratives.
The movie does not contain any action or adventure elements.
The film adapts Hindu mythology, specifically the Mahabharata. Major characters such as Krishna and Arjuna, whose genders are historically and canonically established as male, are portrayed with their original genders. No instances of gender swaps were identified.
This 1945 Indian mythological film, based on the Mahabharata, features characters like Krishna and Arjuna, who are canonically Indian. There is no historical or critical evidence to suggest that the film cast actors of a different race for these roles, which would be highly unusual for an Indian production of that era.
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