MovieBias
See all results for ""
BrowseAnalyticsAbout

Sin City (2005)

Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.6
Sin City poster

Overview

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.


Starring Cast


Where to watch

Paramount+ logoParamount+
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Bias Dimensions

Political: Leans Right
Diversity: Moderate
Race Swap: Yes
Christianity: Negative

Overview

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.


Starring Cast


Where to watch

Paramount+ logoParamount+
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Center

Primary

The film leans right due to its central thesis that individual vigilante justice and personal codes of honor are the only effective responses to pervasive societal corruption, rather than advocating for systemic or institutional reform.

Sin City features a visually diverse ensemble cast that aligns with its graphic novel source material, rather than explicitly recasting traditional roles for DEI purposes. The film's narrative focuses on themes of crime, corruption, and moral ambiguity within its stylized world, without explicitly critiquing traditional identities or centering DEI themes.

Secondary

Gail, a prominent character depicted as white in the original Sin City comic series, is portrayed by Rosario Dawson, an actress of Black and Latina descent, which constitutes a race swap.

The film portrays the Catholic Church institution as deeply corrupt and evil through characters like Cardinal Roark, who uses his religious authority to facilitate horrific crimes. Priests are depicted as complicit or easily manipulated, covering up atrocities. There is no significant counterbalancing positive portrayal of the institution.

Sin City does not include any discernible LGBTQ+ characters or themes. The film's various storylines focus on heterosexual relationships, crime, and violence, with no representation of queer identity in any capacity.

The film "Sin City" does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal to evaluate regarding trans identity, resulting in an N/A rating for its net impact.

The movie does not contain any action or adventure elements.

The film is a direct adaptation of Frank Miller's graphic novels. All major characters, as established in the source material, retain their original genders in the 2005 movie adaptation. No instances of a character canonically established as one gender being portrayed as another were found.


Viewer Rating Breakdown

7.6

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
8.0
The Movie Database logo
7.5

Critic Ratings

Rotten Tomatoes logo
7.6
Metacritic logo
7.4

More Like This

RED poster
Center
6.7
RED
 (2010)
Political: Leans Right
Diversity: Moderate
Primal Fear poster
Leans Traditional
6.9
Primal Fear
 (1996)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Murder by Death poster
Leans Traditional
6.6
Murder by Death
 (1976)
Political: Center
Diversity: Low
LGBTQ: Negative
The Matador poster
Leans Traditional
6.8
The Matador
 (2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Dirty Harry poster
Traditional
8.2
Dirty Harry
 (1971)
Political: Strong Right
Diversity: Low
Spy Game poster
Leans Traditional
6.7
Spy Game
 (2001)
Political: Center
Diversity: Low
Blue Velvet poster
Leans Traditional
8.0
Blue Velvet
 (1986)
Political: Center
Diversity: Low
Nightmare Alley poster
Leans Traditional
7.2
Nightmare Alley
 (2021)
Political: Center
Diversity: Low
His Kind of Woman poster
Leans Traditional
6.8
His Kind of Woman
 (1951)
Political: Center
Diversity: Low
Die Hard 2 poster
Traditional
6.9
Die Hard 2
 (1990)
Political: Leans Right
Diversity: Low
Matchstick Men poster
Leans Traditional
7.2
Matchstick Men
 (2003)
Political: Center
Diversity: Low
Double Indemnity poster
Leans Traditional
8.9
Double Indemnity
 (1944)
Political: Center
Diversity: Low
The Desperate Hours poster
Traditional
7.8
The Desperate Hours
 (1955)
Political: Leans Right
Diversity: Low
The Departed poster
Leans Traditional
8.6
The Departed
 (2006)
Political: Center
Diversity: Low
LGBTQ: Negative
The Offence poster
Leans Traditional
7.0
The Offence
 (1973)
Political: Center
Diversity: Low
Niagara poster
Leans Traditional
7.2
Niagara
 (1953)
Political: Center
Diversity: Low
Harper poster
Leans Traditional
7.0
Harper
 (1966)
Political: Center
Diversity: Low
Marathon Man poster
Leans Traditional
7.3
Marathon Man
 (1976)
Political: Center
Diversity: Low
Rope poster
Traditional
8.1
Rope
 (1948)
Political: Center
Diversity: Low
LGBTQ: Negative
Lethal Weapon poster
Leans Traditional
7.4
Lethal Weapon
 (1987)
Political: Leans Right
Diversity: Moderate
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com