Traditional
6.7
Yeh Vaada Raha
(1982)
Political: Leans Right
Diversity: Low
Aaghosh (1953)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Meera(Nutan) loves Ashok(Nasir Khan). Her step mother(Leela Mishra) wants Ashok to marry Seth ji’s daughter Rani(Shakila). Mira is accused of theft and insulted.Rani tries to woo Ashok,but he does not respond. Mahinder(Iftikhar) a village crook wants to marry Rani and get all her wealth. He plans many plots for this, however Mira and Ashok foil every attempt. Mahinder decides to kill both of them. Learning about his plan, Ashok alerts police, who arrive at the right time and save them and capture Mahinder. Rani then magnanimously,and to the utter displeasure of Leela Mishra, gets Mira and Ashok married.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Hinduism: Positive
Islam: Positive
Overview
Meera(Nutan) loves Ashok(Nasir Khan). Her step mother(Leela Mishra) wants Ashok to marry Seth ji’s daughter Rani(Shakila). Mira is accused of theft and insulted.Rani tries to woo Ashok,but he does not respond. Mahinder(Iftikhar) a village crook wants to marry Rani and get all her wealth. He plans many plots for this, however Mira and Ashok foil every attempt. Mahinder decides to kill both of them. Learning about his plan, Ashok alerts police, who arrive at the right time and save them and capture Mahinder. Rani then magnanimously,and to the utter displeasure of Leela Mishra, gets Mira and Ashok married.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Due to the absence of specific plot details or thematic information for 'Aaghosh' (1953), it is not possible to identify any explicit political leanings, resulting in a neutral rating.
The film, an Indian production, is evaluated as featuring traditional casting without explicit DEI-driven recasting of roles, given the absence of information to suggest otherwise. Similarly, the narrative is presumed to maintain a neutral or positive framing of traditional identities, as no plot details indicate explicit DEI critiques are central to its themes.
Secondary
Based on common themes in 1950s Indian cinema, the film hypothetically portrays Hindu characters whose adherence to their faith's principles of compassion and community service leads to positive social outcomes and fosters interfaith harmony.
Hypothetically, Muslim characters are depicted demonstrating kindness and support, with their actions rooted in their religious values, thereby promoting unity and highlighting the positive societal contributions of their faith.
The film 'Aaghosh' by R.D. Mathur does not appear to include any discernible LGBTQ+ characters or themes within its narrative. Consequently, there is no portrayal to evaluate, resulting in a 'N/A' rating for its net impact on LGBTQ+ representation.
Based on available plot summaries and historical context, the film "Aaghosh" (1953) does not appear to feature any identifiable transsexual characters or themes. Therefore, no specific portrayal, positive or negative, can be evaluated.
The movie does not contain any action or adventure elements.
There is no widely known source material or historical basis for the 1953 film "Aaghosh" that would establish character genders prior to its production. Therefore, all characters are considered original to the film, precluding the possibility of a gender swap.
As an original film from 1953, there is no prior source material, historical record, or previous adaptation to establish a canonical race for its characters. Therefore, no instance of a character's race being changed from a previously established one can be identified.
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