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Zhenya and Nadya go their separate ways. Nadya stuck with her bureaucrat boyfriend, married him and had a daughter, also called Nadya. Zhenya married and had a son, Konstantin. Both later divorced. More than 30 years later, Konstantin ends up drunk in the flat where the younger Nadya finds him. He is there as part of a convoluted ruse by his father's friends to get Zhenya back into the arms of the woman with whom he shared a magical night. The waylaid son is the bait to get Zhenya back to Leningrad, now called St. Petersburg. One romance is rekindled and another between the son and daughter is struck up.
Zhenya and Nadya go their separate ways. Nadya stuck with her bureaucrat boyfriend, married him and had a daughter, also called Nadya. Zhenya married and had a son, Konstantin. Both later divorced. More than 30 years later, Konstantin ends up drunk in the flat where the younger Nadya finds him. He is there as part of a convoluted ruse by his father's friends to get Zhenya back into the arms of the woman with whom he shared a magical night. The waylaid son is the bait to get Zhenya back to Leningrad, now called St. Petersburg. One romance is rekindled and another between the son and daughter is struck up.
The film is an apolitical romantic comedy centered on themes of love, family, and fate, with its narrative focusing entirely on personal relationships and comedic misunderstandings rather than political ideology or social critique.
The film features traditional casting consistent with its Russian cultural context and the original classic. Its narrative is a romantic comedy focused on themes of fate and family, without any explicit critique of traditional identities or central DEI themes.
The film 'The Irony of Fate 2' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is exclusively centered on heterosexual romantic relationships and family dynamics, offering no portrayal, positive or negative, of queer identity.
The film "The Irony of Fate. The Sequel" does not feature any identifiable transsexual characters or themes within its narrative. The plot focuses on romantic comedy elements and family dynamics without engaging with transgender identity.
The movie does not contain any action or adventure elements.
The film is a direct sequel featuring the original characters played by the same actors, maintaining their established genders. New characters introduced are children of the original protagonists, not gender-swapped versions of existing or legacy roles.
This film is a sequel to a 1976 Soviet film. The returning legacy characters are portrayed by the same actors, maintaining their original race. New characters introduced in this installment do not constitute race swaps as their race was not previously established.
Combines user and critic ratings from four sources