6.8
Viewer Rating
Combines user and critic ratings from four sources
Super Pumped: The Battle for Uber (2022)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 6.8
Overview
Each season of this anthology series explores a story that rocked the business world to its core and changed culture. The first season tells the story of Uber, one of Silicon Valley’s most successful and most destructive unicorns.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Left
Diversity: Moderate
Overview
Each season of this anthology series explores a story that rocked the business world to its core and changed culture. The first season tells the story of Uber, one of Silicon Valley’s most successful and most destructive unicorns.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The series critiques the unchecked ambition, toxic corporate culture, and ethical compromises of the tech industry, particularly highlighting worker exploitation and systemic sexism, aligning with left-leaning concerns about corporate power and accountability.
The series features visible diversity in its supporting cast, reflecting the real-life figures, without explicit race or gender swaps of established roles. Its narrative critiques the aggressive corporate culture and leadership style of its central white male protagonist, rather than broadly portraying traditional identities negatively.
Secondary
The series 'Super Pumped' primarily focuses on the corporate drama and power struggles within Uber's early days. There are no identifiable LGBTQ+ characters or themes present in the narrative, resulting in no specific portrayal to evaluate.
The series 'Super Pumped: The Battle for Uber' primarily focuses on the corporate culture and leadership struggles within Uber. It does not feature any identifiable transsexual characters or themes, resulting in no portrayal to evaluate under the given rubric.
The movie does not contain any action or adventure elements.
The series "Super Pumped: The Battle for Uber" is based on real historical figures. All major characters, such as Travis Kalanick, Bill Gurley, and Arianna Huffington, are portrayed on screen with the same gender as their real-world counterparts. No instances of gender swapping were identified.
The series dramatizes real historical figures from the tech industry. Based on the documented races of these individuals, the casting choices for major characters align with their historical counterparts, indicating no instances of race swapping.
Viewer Rating Breakdown
User Ratings
7.3
6.8
Critic Ratings
6.8
6.3
More Like This
Leans Progressive
6.6
Snowden
(2016)
Political: Strong Left
Diversity: Low
Leans Progressive
7.2
Mr. Holmes
(2015)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
8.1
Sorry, Baby
(2025)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Progressive
7.5
A Mother's Prayer
(1995)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
8.2
Logan
(2017)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.5
The Cursed
(2021)
Political: Leans Left
Diversity: Moderate
Progressive
7.0
Armageddon Time
(2022)
Political: Leans Left
Diversity: High
Progressive
6.6
Babylon
(2022)
Political: Center
Diversity: High
LGBTQ: Positive
Leans Progressive
8.4
Million Dollar Baby
(2004)
Political: Leans Left
Diversity: Moderate
Progressive
7.9
American History X
(1998)
Political: Strong Left
Diversity: High
Progressive
7.8
Exhibiting Forgiveness
(2024)
Political: Leans Left
Diversity: High
Progressive
7.0
Syriana
(2005)
Political: Strong Left
Diversity: High
Progressive
6.7
Highest 2 Lowest
(2025)
Political: Strong Left
Diversity: High
Leans Progressive
8.3
Greed
(1924)
Political: Strong Left
Diversity: Low
Progressive
7.3
Kiss of the Spider Woman
(2025)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
7.7
The Hurricane
(1999)
Political: Strong Left
Diversity: High
Progressive
7.1
The Manchurian Candidate
(2004)
Political: Leans Left
Diversity: High
Leans Progressive
7.0
The Crucible
(1996)
Political: Strong Left
Diversity: Low
Leans Progressive
7.5
The Last Duel
(2021)
Political: Strong Left
Diversity: Moderate
Progressive
7.7
Widows
(2018)
Political: Strong Left
Diversity: High
LGBTQ: Neutral