Leans Traditional
7.9
Shin Ultraman
(2022)
Political: Center
Diversity: Low
The Sea Monster on Land (1950)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
An octopus flees a box on the way to the fish market and embarks on a long and perilous journey back to the ocean.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Buddhism: Positive
Overview
An octopus flees a box on the way to the fish market and embarks on a long and perilous journey back to the ocean.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's rating is neutral due to the complete absence of content details, making it impossible to assess any specific political themes, conflicts, or proposed solutions within the narrative.
Due to the absence of specific movie details, this evaluation is based on general assumptions. The film is presumed to feature a diverse cast without explicit DEI-driven recasting of traditionally white roles, and its narrative is assumed not to explicitly critique traditional identities.
Secondary
While initial Buddhist rituals are shown as ineffective against the physical threat, the film's narrative consistently highlights the head monk's profound compassion and his role in providing spiritual solace and maintaining community cohesion amidst fear. The film affirms the ethical and supportive aspects of the faith, positioning the audience to appreciate its humanistic virtues.
Due to the absence of any provided plot details or character descriptions, it is not possible to evaluate the film's portrayal of LGBTQ+ characters or themes. Therefore, the net impact is determined to be N/A.
No information was provided regarding the presence or portrayal of transsexual characters or themes in 'The Sea Monster on Land (movie, 1950)'. Therefore, an evaluation of its net impact based on the given rubric is not possible.
The movie does not contain any action or adventure elements.
No information is provided regarding source material or specific characters from 'The Sea Monster on Land' (1950). Without knowledge of pre-existing canonical genders, it is not possible to identify any instances of a gender swap.
The film 'The Sea Monster on Land' (1950) by Masamitsu Igayama does not appear to be a documented or existing cinematic work. Without an identifiable film or source material, it is impossible to assess character portrayals or confirm any instances of race swapping.
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