Viewer Rating
Combines user and critic ratings from four sources
On 13th February 2012, a magnetic bomb exploded, destroying an Israeli embassy vehicle in Delhi. ACP Rajeev Kumar, leading the investigation, suspects more than what meets the eye. Amid political pressure and suspicions of an Iranian connection, he embarks on a perilous journey to uncover the truth, facing formidable adversaries.
On 13th February 2012, a magnetic bomb exploded, destroying an Israeli embassy vehicle in Delhi. ACP Rajeev Kumar, leading the investigation, suspects more than what meets the eye. Amid political pressure and suspicions of an Iranian connection, he embarks on a perilous journey to uncover the truth, facing formidable adversaries.
The film receives a neutral rating because it consciously balances competing viewpoints and explicitly aims for a nuanced, apolitical yet politically aware exploration of geopolitical conflict, deliberately avoiding simplistic ideological stances and overt partisanship.
The movie primarily focuses on geopolitical intrigue and espionage, rather than prominently featuring social diversity or nuanced social commentary. While its setting in Tehran inherently involves a non-Western cast, the film does not engage in explicit DEI-driven casting or narrative critique of traditional identities.
The film "Tehran" offers an empathetic and humanizing portrayal of transsexual characters, focusing on their resilience amidst significant external challenges like family rejection and societal stigma in Iran. It depicts their complex struggles and affirms the worth of their lives, despite the difficult social realities they navigate.
The film 'Tehran' does not include identifiable LGBTQ+ characters or themes. Its narrative is primarily focused on geopolitical and espionage elements, resulting in an N/A rating for LGBTQ+ portrayal due to the absence of relevant content.
The film features significant female characters, but the provided information indicates they are not primarily portrayed as fighters or action protagonists. There is no emphasis on female combatants or empowerment through physical confrontation, suggesting no instances of female characters defeating male opponents in direct physical combat.
No information is available regarding any gender swapping in the film 'Tehran, 2025', preventing confirmation of any character gender changes from established canon or history.
No information is available regarding any race swapping in the film 'Tehran, 2025.' Without details on established character races or their portrayals, a race swap cannot be confirmed.
Combines user and critic ratings from four sources