Viewer Rating
Combines user and critic ratings from four sources
The Royal Scandal, the war for power and fight for money continues with the return of Saheb Biwi Aur Gangster. Aditya Pratap Singh is crippled and is trying to recover from the physical disability and his wifes betrayal. The lover cum seductress Madhavi Devi is now an MLA, her relationship with Aditya may have broken to shambles but her relation with alcohol is deep, dark and daunting. Indarjeet Singh, a ragged prince who has lost everything but his pride, pledges to get back his familys respect which was once destroyed by Adityas ancestors. Ranjana is a modern ambitious girl who is madly in love with Indarjeet Singh. The story takes a new turn when Aditya falls in love with Ranjana and forces Birendra her father, for their marriage. In this game of live chess between Saheb, Biwi and Gangster, the winner, the survivor takes it all.
The Royal Scandal, the war for power and fight for money continues with the return of Saheb Biwi Aur Gangster. Aditya Pratap Singh is crippled and is trying to recover from the physical disability and his wifes betrayal. The lover cum seductress Madhavi Devi is now an MLA, her relationship with Aditya may have broken to shambles but her relation with alcohol is deep, dark and daunting. Indarjeet Singh, a ragged prince who has lost everything but his pride, pledges to get back his familys respect which was once destroyed by Adityas ancestors. Ranjana is a modern ambitious girl who is madly in love with Indarjeet Singh. The story takes a new turn when Aditya falls in love with Ranjana and forces Birendra her father, for their marriage. In this game of live chess between Saheb, Biwi and Gangster, the winner, the survivor takes it all.
The film maintains a neutral stance by focusing on the universal themes of power, ambition, and betrayal within a decaying aristocratic system, without explicitly endorsing or critiquing specific political ideologies or offering a clear ideological solution.
The film features traditional casting consistent with mainstream Indian cinema, without explicit efforts to diversify or challenge established demographic norms. Its narrative focuses on power dynamics and personal ambition within a royal setting, rather than offering a critical portrayal of traditional identities or centering explicit DEI themes.
The film portrays its primary characters, who are culturally Hindu and belong to traditional royal families, as deeply corrupt, hypocritical, and driven by ruthless ambition and revenge. The narrative consistently exposes the moral bankruptcy of these adherents and the traditional institutions they represent, without offering significant counterbalancing positive portrayals of the faith or its followers.
The film 'Saheb Biwi Aur Gangster Returns' does not include any discernible LGBTQ+ characters or themes. Its narrative focuses on political intrigue, power struggles, and complex relationships within a royal family, without engaging with queer identity.
The film 'Saheb Biwi Aur Gangster Returns' does not feature any identifiable transsexual characters or themes within its narrative. The story is centered on political drama and power struggles, with no elements pertaining to transsexual identity or experiences.
The film does not feature any scenes where a female character engages in and wins close-quarters physical combat against one or more male opponents. Female characters primarily exert influence through manipulation or are involved in dramatic conflicts rather than direct physical confrontations.
This film is a sequel that continues the stories of existing characters while introducing new ones. No established character from the previous installment or any other source material has their gender changed in this film.
This film is a sequel within an original Indian film series. All characters are consistently portrayed by actors of the same race as established in the prior installment and the film's setting. No character's race was changed from a previously established different race.
Combines user and critic ratings from four sources