Viewer Rating
Combines user and critic ratings from four sources
During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.
During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.
The film presents a politically neutral yet ethically charged critique of journalistic practices and media sensationalism during a crisis, focusing on the tension between commercial imperatives and the moral responsibilities of news organizations without endorsing a specific political ideology.
The movie features a diverse international ensemble cast. Its narrative engages with Diversity, Equity, and Inclusion by critically examining media ethics, representation, and the power dynamics in storytelling about sensitive events, particularly concerning the portrayal of diverse groups in conflict situations, without explicitly critiquing traditional identities.
The film portrays Jewish Israeli athletes as victims of a terrorist attack during the 1972 Munich Olympics. The narrative focuses on the tragic event and the suffering of the hostages, eliciting sympathy for them and their identity without any negative portrayal of the religion itself.
The film *September 5* centers on the 1972 Munich Olympics hostage crisis and the American broadcasting team's live coverage. Its narrative and character development do not include any explicit or notable LGBTQ+ characters or themes. Consequently, the film offers no depiction of the LGBTQ community within its storyline or subtext.
Based on available information for 'September 5' by Tim Fehlbaum, no identifiable transsexual characters or themes were found. Therefore, the film's net impact on the portrayal of transsexual individuals is rated as N/A, indicating no depiction.
The movie does not contain any action or adventure elements.
Based on available information, all characters in 'September 5,' including historical figures, are portrayed with genders consistent with their established historical or canonical records. No instances of gender swaps are indicated.
The film *September 5* portrays real historical figures and groups involved in the 1972 Munich Olympics crisis. The casting for major characters and the depiction of the on-screen population are ethnically and phenotypically consistent with their historical counterparts, showing no instances of race swapping.
Combines user and critic ratings from four sources