5.3
Viewer Rating
Combines user and critic ratings from four sources
Suits LA (2025)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 5.3
Overview
Ted Black, a former federal prosecutor from New York, has reinvented himself representing the most powerful clients in Los Angeles. But his firm is at a crisis point, and in order to survive, he must embrace a role he held in contempt his entire career.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Ted Black, a former federal prosecutor from New York, has reinvented himself representing the most powerful clients in Los Angeles. But his firm is at a crisis point, and in order to survive, he must embrace a role he held in contempt his entire career.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The show maintains a neutral stance by focusing on the pragmatic realities of power, influence, and ethical complexities within the American legal and corporate elite, emphasizing individual ambition and strategic maneuvering rather than promoting a defined left or right political ideology.
The series incorporates visible racial and gender diversity within its main and recurring cast. However, the narrative primarily focuses on legal drama and personal conflicts, without explicitly engaging with broader DEI themes or critiquing traditional identities.
Secondary
Based on the available information, there are no explicit details regarding the portrayal of LGBTQ+ characters or themes in *Suits LA*. The provided sources focus on the show's plot and cast without mentioning any LGBTQ+ representation, leading to an N/A rating for this evaluation.
Based on current information, *Suits LA* (2025) does not feature any transsexual characters or themes. Official cast lists, plot summaries, and production notes contain no references to transgender representation, indicating no discernible portrayal of the transsexual community within the show's narrative.
The movie does not contain any action or adventure elements.
Suits LA features mostly new characters, which are excluded from the gender swap definition. The returning character, Harvey Spencer, maintains his original male gender. No established characters from the source material or historical records are portrayed with a different gender.
The characters in "Suits LA" are new and original to this spin-off series, with no prior canonical or historically established racial depictions. The casting aligns with a contemporary Los Angeles setting, and no character's race deviates from a previously defined source.
Viewer Rating Breakdown
User Ratings
5.8
6.9
Critic Ratings
3.6
4.8
More Like This
Leans Traditional
10.0
In Trousers
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Offence
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Progressive
7.0
The Crucible
(1996)
Political: Strong Left
Diversity: Low
Center
7.2
The Best Christmas Pageant Ever
(2024)
Political: Center
Diversity: Moderate
Traditional
7.4
Pollyanna
(1960)
Political: Leans Right
Diversity: Low
Leans Traditional
10.0
Marginalia
(2025)
Political: Center
Diversity: Low
Leans Traditional
7.0
Joy Ride
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.5
Running on Empty
(1988)
Political: Center
Diversity: Low
Progressive
7.7
The Hurricane
(1999)
Political: Strong Left
Diversity: High
Leans Traditional
8.0
Blow Out
(1981)
Political: Center
Diversity: Low
Progressive
8.1
Sorry, Baby
(2025)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Traditional
8.0
She Wore a Yellow Ribbon
(1949)
Political: Leans Right
Diversity: Low
Progressive
7.1
The Manchurian Candidate
(2004)
Political: Leans Left
Diversity: High
Center
8.0
GRUFF
(2024)
Political: Center
Diversity: Moderate
Leans Traditional
7.6
Juror #2
(2024)
Political: Leans Right
Diversity: Moderate
Center
7.1
Bad Santa
(2003)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Center
8.3
Nashville
(1975)
Political: Leans Left
Diversity: Low
LGBTQ: Neutral
Progressive
7.8
Exhibiting Forgiveness
(2024)
Political: Leans Left
Diversity: High
Center
6.6
For Whom the Bell Tolls
(1943)
Political: Leans Left
Diversity: Low