6.3
Viewer Rating
Combines user and critic ratings from four sources
Operation Finale (2018)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.3
Overview
In 1960, a team of Israeli secret agents is deployed to find Adolf Eichmann, the infamous Nazi architect of the Holocaust, supposedly hidden in Argentina, and get him to Israel to be judged.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Right
Diversity: Moderate
Judaism: Positive
Overview
In 1960, a team of Israeli secret agents is deployed to find Adolf Eichmann, the infamous Nazi architect of the Holocaust, supposedly hidden in Argentina, and get him to Israel to be judged.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
While the core subject of bringing a Nazi war criminal to justice is universally condemned, the film's narrative emphasizes national resolve, the assertion of a nation's right to justice, and the heroic actions of its agents, aligning with right-leaning themes.
The movie features a cast with visible diversity, including actors of various ethnic backgrounds portraying historical and fictional characters within its specific historical context. The narrative primarily focuses on a historical event without explicitly critiquing traditional identities or centering DEI themes.
Secondary
The film portrays Judaism and its adherents with deep respect and sympathy, focusing on the historical trauma of the Holocaust and the Jewish people's pursuit of justice. The narrative aligns with the dignity of the faith by depicting the resilience and moral imperative of the Israeli agents, positioning the audience to empathize with the victims and their quest for accountability.
Operation Finale is a historical drama centered on the pursuit and capture of Adolf Eichmann. The narrative does not include any identifiable LGBTQ+ characters or themes, thus there is no portrayal to evaluate within the film's scope.
Operation Finale is a historical drama focused on the capture of Adolf Eichmann. The film does not feature any identifiable transsexual characters or themes, nor does it address transgender identity in its narrative. Therefore, the portrayal is N/A.
The movie does not contain any action or adventure elements.
The film is a historical drama depicting real-life figures involved in the capture of Adolf Eichmann. All major historical characters are portrayed on screen with the same gender as their documented real-world counterparts.
The film is a historical drama depicting real individuals, all of whom were historically white. The actors cast to portray these characters are also predominantly white or perceived as such within the context of their roles, aligning with their historical race. No character's race was changed to a different broader racial category.
Viewer Rating Breakdown
User Ratings
6.6
6.7
Critic Ratings
6.0
5.8
More Like This
Leans Traditional
7.4
The Walk
(2015)
Political: Center
Diversity: Low
Leans Traditional
9.2
Schindler's List
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.3
Breach
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Impossible
(2012)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Count of Monte Cristo
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.8
Chappaquiddick
(2018)
Political: Center
Diversity: Low
Traditional
7.3
The Courier
(2020)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Traditional
7.3
Patriots Day
(2016)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Murderers Among Us: The Simon Wiesenthal Story
(1989)
Political: Center
Diversity: Low
Leans Traditional
8.3
Inside Llewyn Davis
(2013)
Political: Center
Diversity: Low
Leans Traditional
7.1
Betrayal
(1983)
Political: Center
Diversity: Low
Leans Traditional
6.6
Enigma
(2001)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.9
Black Mass
(2015)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Agony and the Ecstasy
(1965)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Offence
(1973)
Political: Center
Diversity: Low
Traditional
7.6
Cinderella Man
(2005)
Political: Leans Right
Diversity: Low
Leans Traditional
8.6
The Departed
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.8
The Occupant
(2025)
Political: Center
Diversity: Low