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Shaun Russell takes her son and daughter on a weekend getaway to her late father's secluded, high-tech vacation home in the countryside. The family soon gets an unwelcome surprise when four men break into the house to find hidden money. After managing to escape, Shaun must now figure out a way to turn the tables on the desperate thieves and save her captive children.
Shaun Russell takes her son and daughter on a weekend getaway to her late father's secluded, high-tech vacation home in the countryside. The family soon gets an unwelcome surprise when four men break into the house to find hidden money. After managing to escape, Shaun must now figure out a way to turn the tables on the desperate thieves and save her captive children.
The film's central conflict, a home invasion, is resolved through the protagonist's individual agency and self-reliance, emphasizing personal responsibility and the defense of private property as the solution to external threats.
The film features a Black actress in the central role of an action hero mother, leading a Black family in a mainstream thriller. While the casting choice is a clear instance of intentional diversity, the narrative itself focuses on universal themes of family protection and survival without explicitly critiquing traditional identities or making DEI themes central to the plot.
The film features Shaun Russell, a mother protecting her children, who repeatedly engages in direct physical confrontations with the male home invaders. She uses various close-range methods, including melee weapons and hand-to-hand struggle, to defeat multiple opponents.
The film "Breaking In" does not contain any discernible LGBTQ+ characters or themes. Its narrative is centered on a home invasion scenario, with no elements related to queer identity present in the plot or character development.
The film 'Breaking In' does not feature any identifiable transsexual characters or themes. The narrative focuses on a mother protecting her children from home invaders, with no elements related to transgender identity or experiences.
Breaking In (2018) is an original film featuring new characters created for this specific production. There are no pre-existing characters from source material, prior installments, or historical records whose gender could have been altered.
This film is an original production and not an adaptation of pre-existing source material, nor does it depict historical figures. Therefore, its characters do not have a previously established canonical or historical race to be altered.
Combines user and critic ratings from four sources