5.9
Viewer Rating
Combines user and critic ratings from four sources
The New King of Comedy (2019)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 5.9
Overview
A young female actor dreams of becoming famous and building a successful career despite being a stand-in and extra on most sets.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Right
Diversity: Moderate
Overview
A young female actor dreams of becoming famous and building a successful career despite being a stand-in and extra on most sets.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
While depicting the struggles within an exploitative industry, the film's central solution champions individual perseverance and relentless hard work as the path to success, aligning with themes of individual responsibility.
The film features a cast that is naturally diverse within its East Asian cultural context, without explicit DEI-driven recasting of traditionally white roles. Its narrative champions an underdog female protagonist and includes subtle critiques of certain male behaviors and power dynamics, rather than explicitly negative portrayals of traditional identities.
Secondary
The film focuses on the struggles of an aspiring actress in the film industry and does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate within the scope of this framework.
The film "The New King of Comedy" does not feature any identifiable transsexual characters or themes. Its narrative focuses on a struggling actor's journey in the film industry, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The 2019 film is a spiritual successor to the 1999 'King of Comedy,' featuring new characters rather than gender-swapped versions of established ones. The protagonist, Ru Meng, is a new character, not a gender-swapped iteration of the original film's male lead.
The New King of Comedy (2019) features new characters in a story that shares thematic similarities with the 1999 film King of Comedy. All characters in both films are consistently portrayed as ethnically Chinese, with no instance of a character established as one race being portrayed as another.
Viewer Rating Breakdown
User Ratings
6.2
5.6
Critic Ratings
N/A
N/A
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