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Cain's Hundred (1961)
A former underworld lawyer goes to work for the Federal Government, determined to bring 100 top criminals to justice.
A former underworld lawyer goes to work for the Federal Government, determined to bring 100 top criminals to justice.
The film's central conflict against organized crime is resolved through a focus on individual accountability and the restoration of law and order, aligning with right-leaning themes of justice and personal responsibility.
This 1961 crime drama features traditional casting with a predominantly white cast, consistent with the era's mainstream television. The narrative focuses on a white male protagonist fighting organized crime, without critically portraying traditional identities or incorporating explicit DEI themes into its central plot.
The 1960s crime drama 'Cain's Hundred' does not feature any discernible LGBTQ+ characters or themes. As a product of its era and genre, there is no evidence to suggest any explicit or implicit LGBTQ+ representation within the series' narrative.
Based on available information, the film "Cain's Hundred" (1961) does not appear to feature any identifiable transsexual characters or themes. Therefore, an evaluation of its portrayal of such elements is not applicable.
The movie does not contain any action or adventure elements.
Cain's Hundred is an original television series from 1961. As such, all its characters were created for the show and do not have prior canonical or historical gender baselines to be swapped from.
Cain's Hundred is an original television series from 1961. There is no prior source material (like a book, comic, or earlier film) or historical figures for its characters, meaning no pre-existing racial portrayals could be altered.
Combines user and critic ratings from four sources























