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Marco Polo (2014)
An epic adventure that follows the early years of the famous explorer as he travels the exotic Silk Road to the great Kublai Khan’s court. But Marco soon finds that navigating the Khan’s world of greed, betrayal, sexual intrigue and rivalry will be his greatest challenge yet, even as he becomes a trusted companion to the Khan in his violent quest to become the Emperor of the World.
An epic adventure that follows the early years of the famous explorer as he travels the exotic Silk Road to the great Kublai Khan’s court. But Marco soon finds that navigating the Khan’s world of greed, betrayal, sexual intrigue and rivalry will be his greatest challenge yet, even as he becomes a trusted companion to the Khan in his violent quest to become the Emperor of the World.
The series primarily functions as a historical drama exploring the complexities of power, empire, and cultural integration, presenting a balanced view of leadership and its challenges without explicitly promoting a modern progressive or conservative ideology.
The series showcases a diverse cast that aligns with its historical setting in the Mongol Empire, without explicit recasting of traditionally white roles. The narrative primarily focuses on historical drama and cultural interactions, rather than explicitly critiquing traditional identities or centering on DEI themes.
Marco Polo features Jingim, Kublai Khan's son, in a discreet romantic relationship with his male attendant. This portrayal is respectful, adding depth to Jingim's character without being central to the plot or a source of mockery. The narrative handles their connection with dignity, leading to a neutral overall impact regarding LGBTQ+ themes.
The show features female characters Khutulun and Mei Lin. Khutulun, a warrior, is shown defeating male opponents in wrestling and melee combat. Mei Lin, an assassin, repeatedly engages in and wins close-quarters physical fights against multiple male guards and soldiers.
Byamba, a historical Mongol general, is portrayed by a Tongan actor. As Mongol (East Asian) and Tongan (Pacific Islander) represent distinct broad racial categories, this constitutes a race swap.
Buddhism is consistently portrayed with profound respect, wisdom, and philosophical depth, often serving as a moral and spiritual guide through characters and teachings.
The show portrays Marco Polo's Christian background with respect, contrasting it with other faiths without demonizing it. It highlights the diversity of Christian expression within the Mongol Empire.
Islam is depicted as a respected and integrated faith within the diverse Mongol Empire, with Muslim characters contributing significantly without negative stereotyping.
The series 'Marco Polo' does not feature any identifiable transsexual characters or themes. Its narrative primarily focuses on historical events, political intrigue, and cultural clashes within the Mongol Empire, without exploring transgender identities or experiences.
The show "Marco Polo" features historical figures and original characters whose on-screen genders align with their historical records or initial establishment within the series. No significant character established as one gender in history or prior canon is portrayed as a different gender.
Combines user and critic ratings from four sources























