Viewer Rating
Combines user and critic ratings from four sources

Minority Report (2015)
Ten years after the demise of Precrime, crime-solving is different and justice leans more on sophisticated and trusted technology than on the instincts of the precogs—individuals who able to see the future. In Washington, D.C., a man haunted by the future and a cop haunted by her past race to stop the worst crimes of the year 2065 before they happen.
Ten years after the demise of Precrime, crime-solving is different and justice leans more on sophisticated and trusted technology than on the instincts of the precogs—individuals who able to see the future. In Washington, D.C., a man haunted by the future and a cop haunted by her past race to stop the worst crimes of the year 2065 before they happen.
The series' central narrative critiques a powerful, intrusive government system that infringes upon individual liberties and due process through predictive justice, aligning with progressive concerns about state overreach and systemic injustice.
The movie demonstrates significant DEI primarily through its casting choices, notably the explicit race-swapping of a traditionally white-associated lead role with a minority actress. However, the narrative itself does not explicitly critique traditional identities or make DEI themes central to its core plot.
The 'Minority Report' 2015 television series does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on its primary science fiction premise without incorporating queer representation, resulting in no net impact on LGBTQ+ portrayal.
The TV series 'Minority Report' does not feature any identifiable transsexual characters or themes. Consequently, there is no depiction of transsexual individuals or related narratives within its storyline, leading to an N/A rating for portrayal.
The movie does not contain any action or adventure elements.
The 2015 TV series is a sequel to the 2002 film, continuing the story of the original precogs who retain their established genders. New main characters introduced for the series do not constitute gender swaps of existing canon characters.
The 2015 series introduces new lead characters not present in the original film or short story. The returning precog characters (Dash, Arthur, Agatha) maintain the same racial portrayal as in the 2002 film, with no changes in race for established roles.
Combines user and critic ratings from four sources























