8.1
Viewer Rating
Combines user and critic ratings from four sources
Star Trek (1966)
Star Trek (1966)
Overview
Space. The Final Frontier. The U.S.S. Enterprise embarks on a five year mission to explore the galaxy. The Enterprise is under the command of Captain James T. Kirk with First Officer Mr. Spock, from the planet Vulcan. With a determined crew, the Enterprise encounters Klingons, Romulans, time paradoxes, tribbles and genetic supermen led by Khan Noonian Singh. Their mission is to explore strange new worlds, to seek new life and new civilizations, and to boldly go where no man has gone before.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Christianity: Positive
Viewer Rating
8.1
Overview
Space. The Final Frontier. The U.S.S. Enterprise embarks on a five year mission to explore the galaxy. The Enterprise is under the command of Captain James T. Kirk with First Officer Mr. Spock, from the planet Vulcan. With a determined crew, the Enterprise encounters Klingons, Romulans, time paradoxes, tribbles and genetic supermen led by Khan Noonian Singh. Their mission is to explore strange new worlds, to seek new life and new civilizations, and to boldly go where no man has gone before.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The Star Trek franchise explicitly promotes progressive ideology through its central thesis of a utopian, post-scarcity future built on diversity, diplomacy, and the overcoming of prejudice, aligning it with a clearly left bias.
The original Star Trek series was notable for its diverse cast for its time, featuring prominent non-white and non-American characters in key roles without explicitly recasting traditionally white characters. The narrative consistently frames its traditional white male protagonists positively, promoting themes of diversity and tolerance through a lens of universal humanism rather than a critique of traditional identities.
Secondary
The Star Trek franchise, particularly in its modern iterations like Discovery and Picard, has made significant strides in LGBTQ+ representation. It features prominent gay, bisexual, and non-binary characters in complex, affirming relationships and roles, contributing to a largely positive and inclusive portrayal across the ongoing series.
The series, notably in 'Bread and Circuses,' portrays early Christians ('sun worshipers') as persecuted but morally resilient. The narrative clearly sympathizes with their faith as a source of strength against oppression, framing the bigotry they face as wrong.
The 1966 Star Trek series does not include any identifiable transsexual characters or themes. Its narrative scope did not extend to exploring gender identity in this specific context, resulting in no direct portrayal of transsexual experiences.
The movie does not contain any action or adventure elements.
As the original series, Star Trek (1966–1969) introduced its core characters and established their genders for the first time. There were no prior canonical or widely established versions of these characters from other media for a gender swap to occur.
Star Trek (1966-1969) is the original production for its main characters. There is no prior source material or historical record from which these characters' races were established and subsequently changed within this series.
Viewer Rating Breakdown
User Ratings
8.4
8.0
Critic Ratings
8.0
N/A
More Like This
Progressive
7.2
Super Fly
(1972)
Political: Leans Left
Diversity: High
Progressive
7.4
Jojo Rabbit
(2019)
Political: Strong Left
Diversity: Moderate
Leans Progressive
9.7
Wall-E
(2008)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.9
Exhibiting Forgiveness
(2024)
Political: Leans Left
Diversity: High
Progressive
6.6
Babylon
(2022)
Political: Center
Diversity: High
LGBTQ: Positive
Progressive
7.6
Wicked
(2024)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
6.8
The Last Rodeo
(2025)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.7
All Quiet on the Western Front
(1930)
Political: Strong Left
Diversity: Low
Leans Progressive
8.7
One Flew Over the Cuckoo's Nest
(1975)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
7.3
The Lost Bus
(2025)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.5
Soul
(2020)
Political: Center
Diversity: High
Leans Progressive
8.1
Dead Man Walking
(1995)
Political: Strong Left
Diversity: Low
Leans Progressive
8.0
The Big Short
(2015)
Political: Strong Left
Diversity: Low
Progressive
8.3
Killers of the Flower Moon
(2023)
Political: Strong Left
Diversity: High
Leans Progressive
8.0
In the Heights
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.9
Searching
(2018)
Political: Center
Diversity: High
Leans Progressive
7.4
Run
(2020)
Political: Center
Diversity: High
Progressive
8.4
Django Unchained
(2012)
Political: Strong Left
Diversity: High