7.8
Viewer Rating
Combines user and critic ratings from four sources
Zorro (1957)
Zorro (1957)
Overview
Diego de la Vega, the son of a wealthy landowner, returns from his studies in Spain and discovers that Los Angeles is under the command of Capitan Monastario, a cruel man who relishes in the misuse of his power for personal gain. Knowing that he cannot hope to single-handedly defeat Monastario and his troops, Diego resorts to subterfuge. He adopts the secret identity of Zorro, a sinister figure dressed in black, and rides to fight Monastario's injustice.
Starring Cast
Where to watch
Disney PlusRating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
7.8
Overview
Diego de la Vega, the son of a wealthy landowner, returns from his studies in Spain and discovers that Los Angeles is under the command of Capitan Monastario, a cruel man who relishes in the misuse of his power for personal gain. Knowing that he cannot hope to single-handedly defeat Monastario and his troops, Diego resorts to subterfuge. He adopts the secret identity of Zorro, a sinister figure dressed in black, and rides to fight Monastario's injustice.
Starring Cast
Where to watch
Disney PlusDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict revolves around universal themes of justice and individual heroism against governmental tyranny, rather than promoting specific modern progressive or conservative ideologies. The solution involves an individual correcting abuses within the existing system, leading to a neutral political stance.
The movie features traditional casting for its historical setting, primarily utilizing white actors for its Spanish characters without intentional race or gender swaps. The narrative positively frames its white, male protagonist, and while it includes white, male antagonists, their villainy is attributed to individual corruption rather than their traditional identities, with no explicit DEI critique central to the story.
Secondary
The series consistently portrays the Catholic Church and its genuine adherents, such as Father Felipe, as benevolent forces for good, offering moral guidance and community support against corrupt secular authorities. The narrative aligns with the virtues of the faith, presenting it as a positive and integral part of the society.
The 1957 television series "Zorro" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on adventure and justice in Spanish California, without incorporating elements related to queer identity.
The 1957 Zorro television series does not include any identifiable transsexual characters or themes. The show's narrative focuses on adventure and justice in Spanish California, without engaging with transgender identity or related topics.
The show primarily features male characters engaging in physical combat. Female characters, while present, are not depicted participating in or winning close-quarters physical fights against male opponents.
The 1957 Zorro series faithfully adapts the established characters from the Zorro mythos, including Don Diego de la Vega/Zorro, Don Alejandro, Bernardo, and Sergeant Garcia, all of whom retain their canonical male genders. No established characters were portrayed as a different gender.
The 1957 Zorro series adapted the character of Don Diego de la Vega, who is canonically a white man of Spanish descent. The casting in this adaptation, including Guy Williams as Zorro, aligns with the established racial and ethnic backgrounds of the source material, showing no instances of race swapping.
Viewer Rating Breakdown
User Ratings
8.2
7.5
Critic Ratings
N/A
N/A
More Like This
Traditional
6.7
Cheyenne
(1947)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
Strawberry Shortcake: Berry, Merry Christmas
(2003)
Political: Center
Diversity: Low
Leans Traditional
6.9
The Ultimate Underdog Collection
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Assassination of Jesse James by the Coward Robert Ford
(2007)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
The Misfits
(1961)
Political: Center
Diversity: Low
Traditional
6.7
The Legend of the Three Trees
(2001)
Political: Leans Right
Diversity: Low
Traditional
7.1
Let Him Go
(2020)
Political: Leans Right
Diversity: Low
Traditional
7.3
Hang 'em High
(1968)
Political: Leans Right
Diversity: Low
Traditional
8.4
My Darling Clementine
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Flash Gordon: The Greatest Adventure of All
(1982)
Political: Center
Diversity: Low
Leans Traditional
8.7
The Man Who Shot Liberty Valance
(1962)
Political: Center
Diversity: Low
Traditional
8.3
Winchester '73
(1950)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
The Big Country
(1958)
Political: Center
Diversity: Low
Traditional
7.5
Pale Rider
(1985)
Political: Leans Right
Diversity: Low
Traditional
7.8
3:10 to Yuma
(2007)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Traditional
8.5
High Noon
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
9.0
The Treasure of the Sierra Madre
(1948)
Political: Center
Diversity: Low
Traditional
8.0
Bend of the River
(1952)
Political: Leans Right
Diversity: Low
Traditional
7.1
How the West Was Won
(1962)
Political: Leans Right
Diversity: Low