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A Working Man (2025)
Levon Cade left behind a decorated military career in the black ops to live a simple life working construction. But when his boss's daughter, who is like family to him, is taken by human traffickers, his search to bring her home uncovers a world of corruption far greater than he ever could have imagined.
Levon Cade left behind a decorated military career in the black ops to live a simple life working construction. But when his boss's daughter, who is like family to him, is taken by human traffickers, his search to bring her home uncovers a world of corruption far greater than he ever could have imagined.
The film champions individual vigilantism and direct action by a working-class hero against corrupt elites and human traffickers, aligning with conservative and populist themes of self-reliance and distrust of systemic solutions.
The movie features a racially diverse supporting cast, though its central narrative revolves around a white male protagonist. The film's themes emphasize traditional action and vigilante justice, without explicitly addressing systemic inequities or offering a critical portrayal of traditional identities.
A Working Man does not feature any identifiable LGBTQ+ characters or themes within its plot or character dynamics. The film focuses on action, crime, and personal struggles, with no explicit or notable portrayal of the LGBTQ+ community.
A Working Man (2025) does not feature any transsexual characters or themes. The narrative focuses on action thriller elements, a protagonist combating human trafficking, and themes of redemption, with no apparent inclusion of transsexual identity or related plot points.
Based on available information, the film primarily focuses on male characters in combat. While one female character is noted as a fighter, no specific scenes are documented where female characters defeat male opponents in close-quarters physical combat.
The film "A Working Man" is an original screenplay, not an adaptation of pre-existing material with established character genders. There is no indication that any characters' on-screen gender differs from a prior canonical or historical gender.
The casting aligns with the characters' established backgrounds, including British, Hispanic, and Russian/Eastern European roles. While some actors are of different European ethnicities than their Russian characters, this is considered an ethnic/nationality shift rather than a race swap, as the broader racial category remains consistent with the source material.
Combines user and critic ratings from four sources






















