Progressive
7.4
Fahrenheit 9/11
(2004)
Political: Strong Left
Diversity: High
Albania (1945)
Albania (1945)
Overview
Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Low
Christianity: Negative
Islam: Negative
Viewer Rating
Not Rated
Overview
Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
This Soviet documentary explicitly promotes the ideology of communism by celebrating Albania's liberation from fascist occupation and the subsequent establishment of a socialist state under the leadership of the Communist Party, aligning its central thesis with progressive revolutionary ideals.
The movie, a historical documentary about Albania by a Soviet filmmaker, is assessed as not featuring modern DEI characteristics. Its depiction of the local population aligns with traditional representation, and its narrative does not engage with contemporary DEI themes or critiques of traditional identities.
Secondary
As a Soviet propaganda film, 'Albania' likely portrays Christianity as a relic of the past, associated with the old, oppressive order, contrasting it with the progressive, secular ideals of the new communist state.
Similar to Christianity, Islam is likely depicted negatively, as a traditional and perhaps superstitious force that the new socialist state is overcoming in its march towards progress and secularism.
No information was provided regarding the presence or portrayal of LGBTQ+ characters or themes in the film 'Albania' (1945). Therefore, an evaluation of its net impact on LGBTQ+ representation cannot be made based on the given data.
Without any content details for the film 'Albania (movie, 1945)', it is impossible to assess the presence or portrayal of transsexual characters or themes. Therefore, the film receives an 'N/A' rating for its depiction in this context.
The movie does not contain any action or adventure elements.
As a 1945 documentary, "Albania" focuses on real-world events and people. Documentaries aim for factual accuracy in portraying individuals, making it highly improbable for a historical or real-life figure to be depicted with a different gender than their actual one. There is no evidence of fictional characters or adaptations that would allow for a gender swap.
As a 1945 Soviet documentary film about the liberation of Albania, it primarily features real historical figures and events. There is no indication or historical record of any character, historical or otherwise, being portrayed by an actor of a different race than their established identity.
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