MovieBias

See all results for ""
BrowseAnalyticsAbout

An Amorous Woman of Tang Dynasty (1984)

An Amorous Woman of Tang Dynasty poster

An Amorous Woman of Tang Dynasty (1984)

Overview

Rebellious Yu Yuan-gi becomes a Taoist priestess in order to avoid traditional roles designated to her as a woman by the society and focus on her studies and poetry. However, her trysts with both her maid and a ronin lead to trouble.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Progressive

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Buddhism: Negative

Viewer Rating
6.3

Overview

Rebellious Yu Yuan-gi becomes a Taoist priestess in order to avoid traditional roles designated to her as a woman by the society and focus on her studies and poetry. However, her trysts with both her maid and a ronin lead to trouble.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's central narrative sympathizes with a woman challenging patriarchal societal norms and pursuing sexual and intellectual freedom, aligning with progressive values of individual autonomy and critique of systemic repression.

This historical drama features a cast appropriate to its Tang Dynasty setting, without engaging in explicit race or gender swaps of traditionally white roles. The narrative explores themes within its cultural and historical context, without making explicit DEI critiques central to its storyline or negatively portraying traditional identities as defined by a Western framework.

Secondary

An Amorous Woman of Tang Dynasty features the protagonist, Yu Xuanji, in prominent lesbian/bisexual relationships. These are depicted as sources of genuine affection, solace, and agency, offering a positive contrast to her often difficult experiences with men. The film portrays these connections respectfully, contributing to her character's complexity and emotional depth.

The film implicitly portrays Buddhist institutions as part of the broader societal and religious framework that is restrictive and fails to accommodate the protagonist's passionate nature, highlighting the conflict between asceticism and human desire.

The film 'An Amorous Woman of Tang Dynasty' (1984) does not contain any discernible transsexual characters or themes. Its narrative focuses on historical figures and relationships within a Tang Dynasty setting, without any elements related to transgender identity.

The film focuses on the dramatic and romantic life of poetess Yu Xuanji. While she experiences various encounters and struggles, there are no scenes depicting her or any other female character physically defeating one or more male opponents in close-quarters combat.

The film portrays historical figures from the Tang Dynasty, primarily Yu Xuanji, in accordance with their documented genders. There are no instances where a canonically or historically established character is depicted as a different gender.

This 1984 Hong Kong film is set in the Tang Dynasty, a period in Chinese history. The cast primarily consists of East Asian actors, consistent with the historical setting and cultural context. There is no evidence of a character, canonically or historically established as one race, being portrayed by an actor of a different race.


Viewer Rating Breakdown

6.3

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.6
The Movie Database logo
5.9

Critic Ratings

Rotten Tomatoes logo
N/A
Metacritic logo
N/A

More Like This

Crouching Tiger, Hidden Dragon poster
Center
8.6
Crouching Tiger, Hidden Dragon
 (2000)

Political: Center
Diversity: Moderate
Female Combat: Yes
The Grandmaster poster
Center
7.1
The Grandmaster
 (2013)

Political: Center
Diversity: Moderate
Female Combat: Yes
Iron Monkey poster
Leans Progressive
8.0
Iron Monkey
 (1993)

Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Happy Together poster
Leans Progressive
7.7
Happy Together
 (1997)

Political: Center
Diversity: Moderate
LGBTQ: Positive
The 14 Amazons poster
Leans Progressive
6.6
The 14 Amazons
 (1972)

Political: Leans Right
Diversity: High
Female Combat: Yes
The Iceman Cometh poster
Center
6.9
The Iceman Cometh
 (1989)

Political: Center
Diversity: Moderate
Female Combat: Yes
Eastern Condors poster
Center
7.2
Eastern Condors
 (1987)

Political: Center
Diversity: Moderate
Female Combat: Yes
Kung Fu Hustle poster
Center
8.0
Kung Fu Hustle
 (2004)

Political: Center
Diversity: Moderate
Female Combat: Yes
Bullet in the Head poster
Leans Progressive
8.4
Bullet in the Head
 (1990)
Political: Leans Left
Diversity: Moderate
Shaolin Soccer poster
Center
7.5
Shaolin Soccer
 (2001)

Political: Center
Diversity: Moderate
Female Combat: Yes
Buddha's Palm poster
Center
7.1
Buddha's Palm
 (1982)

Political: Center
Diversity: Moderate
Female Combat: Yes
Legend of the Red Dragon poster
Center
6.7
Legend of the Red Dragon
 (1994)

Political: Center
Diversity: Moderate
Female Combat: Yes
She Shoots Straight poster
Center
6.6
She Shoots Straight
 (1990)

Political: Center
Diversity: Moderate
Female Combat: Yes
Police Story 3: Super Cop poster
Center
7.7
Police Story 3: Super Cop
 (1992)

Political: Center
Diversity: Moderate
Female Combat: Yes
The Legend poster
Leans Progressive
7.7
The Legend
 (1993)

Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Royal Tramp 2 poster
Center
7.0
Royal Tramp 2
 (1992)

Political: Center
Diversity: Moderate
Female Combat: Yes
Prison on Fire poster
Leans Progressive
8.1
Prison on Fire
 (1987)
Political: Leans Left
Diversity: Moderate
Peking Opera Blues poster
Leans Progressive
7.3
Peking Opera Blues
 (1986)

Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Twilight of the Warriors: Walled In poster
Leans Progressive
7.6
Twilight of the Warriors: Walled In
 (2024)
Political: Leans Left
Diversity: Moderate
The Cat poster
Center
6.6
The Cat
 (1992)

Political: Center
Diversity: Moderate
Female Combat: Yes
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com