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BFDI:TPOT:Plan Dissolve Adhesive (2024)

BFDI:TPOT:Plan Dissolve Adhesive poster

BFDI:TPOT:Plan Dissolve Adhesive (2024)

Overview

Oh what luck! While their fellow debuters were left rotting atop the hotel elevator, PDA stayed unglued! Probably because they're so awesome. After a bit of time away to sort out some personal issues, they're back and ready to save their friends!


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate

Viewer Rating

Not Rated


Overview

Oh what luck! While their fellow debuters were left rotting atop the hotel elevator, PDA stayed unglued! Probably because they're so awesome. After a bit of time away to sort out some personal issues, they're back and ready to save their friends!


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

The film maintains a neutral political stance by promoting a balanced perspective that equally values individual agency and personal responsibility with collective cooperation and a critique of social dynamics.

The movie features a diverse cast of anthropomorphized objects, offering varied character representation. Its narrative centers on themes of teamwork and perseverance, promoting positive social values. However, the film does not explicitly address human-centric racial, gender, or cultural diversity, nor does it engage with equity or systemic inclusion issues in its plot or character design.

Secondary

BFDI:TPOT: Plan Dissolve Adhesive does not feature any explicit or implied LGBTQ+ characters or themes. The narrative centers on object characters engaging in teamwork and problem-solving, without addressing sexual orientation or gender identity. Consequently, the film offers no portrayal of the LGBTQ+ community.

There is no available information or evidence to suggest the presence of transsexual characters or themes in '이유 있는 건축'. Consequently, an evaluation of its portrayal is not possible, resulting in an N/A rating for net impact.

The animated special does not feature traditional physical combat. Conflicts are resolved through challenges, verbal disputes, and collaborative problem-solving rather than physical altercations. No female characters engage in or win close-quarters physical fights against male opponents.

No information indicates that any character's on-screen gender differs from their established canonical gender in the source material for this film. Therefore, no gender swaps are identified.

The film features anthropomorphic object characters, not human characters. As such, the concept of race and a 'race swap' is not applicable to its characters or setting.


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