Viewer Rating
Combines user and critic ratings from four sources

Big City (1937)
Anna and Joe are newly married, playful and deeply in love. Joe is scraping by as cab driver in New York City during a period of corruption, mob control and violence between cab companies.
Anna and Joe are newly married, playful and deeply in love. Joe is scraping by as cab driver in New York City during a period of corruption, mob control and violence between cab companies.
The film explores universal themes of human adaptation and personal resilience within an urban environment, focusing on individual and interpersonal solutions to challenges rather than promoting specific political ideologies or systemic critiques.
Due to the absence of specific details regarding the movie's casting, character diversity, or narrative themes, the evaluation defaults to assuming traditional representation and narrative framing. This approach indicates no explicit DEI characteristics are evident based on the limited information provided.
The film portrays an immigrant character, implicitly Jewish, facing prejudice and false accusations. The narrative strongly condemns this bigotry, highlighting the community's resilience and solidarity, and positioning the audience to sympathize with the victimized group.
Big City (1937) is a drama focusing on the lives of a heterosexual taxi driver and his wife. The film's plot and character development do not include any discernible LGBTQ+ characters or themes, leading to an N/A rating for its portrayal of queer identity.
The film 'Big City' (1937) does not feature any identifiable transsexual characters or themes. Its plot focuses on a taxi driver and his wife facing legal troubles, with no elements pertaining to transgender identity or related social issues.
The movie does not contain any action or adventure elements.
Big City (1937) is an original film, not an adaptation of pre-existing material with established characters. All characters were created for this specific production, thus precluding any gender swaps from prior canon or history.
Big City (1937) is an original film and not an adaptation of pre-existing material with established character races. Therefore, no characters in the film can be considered a 'race swap' as defined.
Combines user and critic ratings from four sources






















