4.5
Viewer Rating
Combines user and critic ratings from four sources
Boom! (1968)
Boom! (1968)
Overview
Explores the confrontation between the woman who has everything, including emptiness, and a penniless poet who has nothing but the ability to fill a wealthy woman's needs.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
4.5
Overview
Explores the confrontation between the woman who has everything, including emptiness, and a penniless poet who has nothing but the ability to fill a wealthy woman's needs.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily explores universal existential themes of death, loneliness, and the search for meaning, rather than advocating for a specific political ideology. Its focus on individual spiritual reckoning and acceptance of mortality places it outside a clear political alignment.
The movie features a traditional, predominantly white cast without any explicit race or gender swaps. Its narrative explores themes of wealth, death, and human connection through its main characters, but does not critically portray traditional identities or center on explicit DEI themes.
Secondary
The film 'Boom!' does not feature identifiable LGBTQ+ characters or themes. Its narrative centers on a wealthy, dying woman confronting mortality and her past, with a mysterious visitor whose ambiguous nature is symbolic rather than a representation of specific queer identity.
The film 'Boom!' (1968) does not feature any identifiable transsexual characters or themes within its narrative. Its storyline, centered on a wealthy, terminally ill woman and a mysterious poet, explores themes of death, love, and identity without engaging with transgender identity.
The movie does not contain any action or adventure elements.
The film "Boom!" is an adaptation of Tennessee Williams' play "The Milk Train Doesn't Stop Here Anymore." The main characters, Flora Goforth and Chris Flanders, retain their original genders from the source material in the film adaptation.
The film "Boom!" (1968) is an adaptation of Tennessee Williams' play "The Milk Train Doesn't Stop Here Anymore." The main characters, Flora Goforth and Chris Flanders, were portrayed by Elizabeth Taylor and Richard Burton, respectively. There is no evidence that these characters were canonically, historically, or widely established as a different race in the source material than depicted in the film.
Viewer Rating Breakdown
User Ratings
5.5
5.9
Critic Ratings
2.0
N/A
More Like This
Leans Traditional
7.1
Inland Empire
(2006)
Political: Center
Diversity: Low
Leans Traditional
8.0
Black Swan
(2010)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
6.6
The Shallows
(2016)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.7
10 Cloverfield Lane
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.3
At Close Range
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.2
Clear and Present Danger
(1994)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.4
The Innocents
(1961)
Political: Center
Diversity: Low
Traditional
6.8
Wrath of Man
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
All the President's Men
(1976)
Political: Center
Diversity: Low
Traditional
8.2
A Quiet Place
(2018)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.0
Enemy of the State
(1998)
Political: Leans Right
Diversity: Moderate
Traditional
7.9
Cape Fear
(1962)
Political: Leans Right
Diversity: Low
Center
8.6
The Manchurian Candidate
(1962)
Political: Center
Diversity: Low
Leans Traditional
6.8
Archive
(2020)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Quiet Place Part II
(2021)
Political: Center
Diversity: Low
Leans Traditional
8.5
Fargo
(1996)
Political: Center
Diversity: Low
Leans Traditional
7.3
Good Boy
(2025)
Political: Center
Diversity: Low
Leans Traditional
6.8
Chappaquiddick
(2018)
Political: Center
Diversity: Low