Viewer Rating
Combines user and critic ratings from four sources

Cargo (2019)
Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.
Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.
The film explores universal themes of life, death, purpose, and human connection within a unique sci-fi setting. Its focus on individual existential struggles and relational solutions, rather than political ideologies or systemic critiques, places it firmly in the neutral category.
The film features an entirely Indian cast and director, which is traditional for its origin and does not involve explicit recasting of traditionally white roles. Its narrative focuses on philosophical science fiction themes without explicitly critiquing or negatively portraying traditional identities.
The film reimagines Hindu mythological concepts like reincarnation and figures such as Prahastha and Yama in a unique sci-fi setting. It treats these foundational ideas with imaginative respect, using them to explore themes of life, death, and purpose within its narrative without undermining the core beliefs.
Based on the available movie details for 'Cargo, 2019', there is no information provided to suggest the presence of LGBTQ+ characters or themes. Consequently, an evaluation of their portrayal is not applicable.
The film 'Cargo, 2019' does not feature any identifiable transsexual characters or themes within its narrative. The story primarily explores themes of life, death, and the afterlife through its sci-fi premise, without incorporating elements related to transsexual identity or experiences.
The movie does not contain any action or adventure elements.
Cargo (2019) is an original Indian science fiction film. Its characters, including Prahastha and Yuvishka, were created specifically for this movie and do not have pre-existing canonical or historical counterparts from other media or real-world history. Therefore, no gender swap is present.
There is no indication that 'Cargo, 2019' is an adaptation of existing source material or a biopic with characters whose race was previously established. The characters are presumed original to this film, thus precluding a race swap.
Combines user and critic ratings from four sources























