The film includes a brief, incidental depiction of the hijra community. They are shown as a distinct social group who offer help to the protagonist. Their presence is observational and does not delve deeply into their identities or struggles, nor does it present them negatively or as a source of mockery, resulting in a neutral overall portrayal.

The film critically examines the commercialization and exploitation of faith by "godmen" within a Hindu context, exposing hypocrisy and blind belief. However, it distinguishes between genuine faith and its misuse, portraying many Hindu characters as sincere and ultimately aligning the narrative with the dignity of true spirituality against corruption.

The film portrays a Muslim character positively and explicitly condemns societal prejudice against Islam, advocating for interfaith harmony and demonstrating that the film's narrative rejects bigotry towards the faith.

The film depicts Sikhism respectfully, highlighting its practices as a valid path to God. It contributes to the film's overall message of religious tolerance and the superficiality of interfaith differences, without significant critique.