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Crime 101 (2026)
When an elusive thief whose high-stakes heists unfold along the iconic 101 freeway in Los Angeles eyes the score of a lifetime, with hopes of this being his final job, his path collides with a disillusioned insurance broker who is facing her own crossroads. Determined to crack the case, a relentless detective closes in on the operation, raising the stakes even higher.
When an elusive thief whose high-stakes heists unfold along the iconic 101 freeway in Los Angeles eyes the score of a lifetime, with hopes of this being his final job, his path collides with a disillusioned insurance broker who is facing her own crossroads. Determined to crack the case, a relentless detective closes in on the operation, raising the stakes even higher.
The film leans left by critiquing institutional pressures within law enforcement and corporations, alongside a nuanced examination of moral ambiguity and the superficiality of wellness culture, framing individual struggles within these societal contexts.
The movie features visible diversity in its cast, including a prominent Black female lead. However, its narrative focuses on individual character studies and does not explicitly engage in group identity framing or critical portrayal of traditional identities.
Based on available information, 'Crime 101' (2026) does not feature any identifiable LGBTQ+ characters, plot elements, or themes. Reviews and character descriptions consistently omit any mention of queer identity or related narratives, indicating no depiction within the film's scope.
Based on current information, 'Crime 101' does not appear to feature any transsexual characters or themes. Plot summaries focus on a jewel thief, detective, and other crime thriller elements, with no indication of gender or sexual transformation narratives. Therefore, the film's net impact on the portrayal of transsexual characters is N/A.
The movie does not contain any action or adventure elements.
The film adapts Don Winslow's novella *Crime 101*. All named characters, including Mike Davis, Det. Lou Lubesnick, Ormon, and Sharon Combs, retain the same gender as established in the source material. No characters have an on-screen gender that differs from their established gender.
The film adapts a novella, but no information specifies the race of any character in the source material. Without an established canonical race from prior canon, no character can be considered "race-swapped" according to the definition.
Combines user and critic ratings from four sources























