Viewer Rating
Combines user and critic ratings from four sources

Death of a Unicorn (2025)
A father and daughter accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss seeks to exploit the creature’s miraculous curative properties.
A father and daughter accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss seeks to exploit the creature’s miraculous curative properties.
The film's central thesis explicitly promotes progressive ideology by critiquing corporate greed, class inequality, and the pharmaceutical industry's exploitation of nature and health for profit, aligning with 'eat-the-rich' narratives.
The movie features a visibly diverse cast, contributing to broader representation in its genre. Its narrative primarily critiques social class disparities, corporate greed, and exploitation through satire, while also exploring family dynamics and trauma. The film does not explicitly focus on racial or ethnic diversity in its casting or explicitly frame traditional identities negatively within its core narrative.
The film critiques Christian authority by suggesting the Church historically exploited unicorn symbolism to enforce obedience. This aligns with the narrative's broader themes of exploitation and human corruption, presenting a problematic view of institutional religious power.
Death of a Unicorn primarily explores themes of corporate greed and moral corruption through a dark satire involving a mythical creature. The film does not feature explicit LGBTQ+ characters or themes, nor does it foreground LGBTQ+ representation as a central element of its plot or character arcs. The narrative focuses on broader social critiques.
There is no information available regarding the presence or portrayal of transsexual characters or themes in 'Death of a Unicorn, 2025'. Therefore, an evaluation of the film's impact on this demographic cannot be made.
The movie does not contain any action or adventure elements.
The film features original characters without prior canonical or historical gender assignments. Therefore, no characters are portrayed with a gender different from an established source.
The film is an original screenplay with no prior source material, established characters, or historical figures. Consequently, no character had a canonically, historically, or widely established race to be swapped from.
Combines user and critic ratings from four sources























