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Drama • 2025 • 98 min • Adults (18+)

Based on Alexandra Fuller's memoir, this South African-produced drama follows eight-year-old Bobo growing up on a farm in Rhodesia during the final days of the Bush War and the country's transition to Zimbabwean independence. The child's-eye perspective is the film's central device: Bobo absorbs her family's colonial worldview while the world outside dismantles it. That framing, which treats inherited racial prejudice as something to be reckoned with rather than romanticized, is the primary reason the label reads Leans Progressive. The family portrait is more complicated than a simple morality tale, with parental strain and a mixed depiction of traditional structures keeping the signal from running further left.
Embeth Davidtz • Andreas Damm • Zikhona Bali
Based on Alexandra Fuller's memoir, this South African-produced drama follows eight-year-old Bobo growing up on a farm in Rhodesia during the final days of the Bush War and the country's transition to Zimbabwean independence. The child's-eye perspective is the film's central device: Bobo absorbs her family's colonial worldview while the world outside dismantles it. That framing, which treats inherited racial prejudice as something to be reckoned with rather than romanticized, is the primary reason the label reads Leans Progressive. The family portrait is more complicated than a simple morality tale, with parental strain and a mixed depiction of traditional structures keeping the signal from running further left.
Embeth Davidtz • Andreas Damm • Zikhona Bali
A white child's growing recognition of her family's bigoted views during the shift from Rhodesian minority rule to Zimbabwean independence frames the dissolution of colonial structures as a necessary confrontation with inherited prejudice.
Traditional casting centers the white settler family with black supporting performers in domestic roles. The child's-eye narrative registers colonial attitudes and impending change through everyday interactions without positioning traditional identities as outright antagonists.
The film portrays a stressed nuclear family with a central but troubled mother figure and frequently absent father, showing parental strain and reliance on external caregivers without affirming or subverting traditional roles.
No LGBTQ+ characters or themes register in this memoir adaptation of colonial transition.
No transgender characters or themes appear.
The movie does not contain any action or adventure elements.
No characters from the source memoir receive opposite-gender casting; Bobo, Nicola, and Sarah retain their documented female identities on screen.
The film adapts Alexandra Fuller’s memoir of her white Zimbabwean family during the Rhodesian Bush War. White lead roles including Bobo and Nicola Fuller are played by white actors Lexi Venter and Embeth Davidtz. Black supporting role Sarah is played by Black actress Zikhona Bali, matching the source depiction with no mismatches.
Combines user and critic ratings from four sources























