Viewer Rating
Combines user and critic ratings from four sources

Enemy (2014)
A mild-mannered college professor discovers a look-alike actor and delves into the other man's private affairs.
A mild-mannered college professor discovers a look-alike actor and delves into the other man's private affairs.
The film is a deeply symbolic psychological thriller exploring themes of identity, repression, and commitment, which are primarily existential and apolitical, offering no clear ideological stance or solution to a political problem.
The film features a traditional cast without explicit DEI-driven casting choices. Its narrative, a psychological thriller, does not engage in critical portrayals of traditional identities or explicitly center on DEI themes.
Enemy (2014) does not feature any identifiable LGBTQ+ characters or themes. The film's complex psychological narrative focuses on a professor and his doppelgänger, exploring themes of identity, repression, and infidelity within heterosexual relationships, without any explicit or implicit queer representation.
The film "Enemy" does not feature any identifiable transsexual characters or themes. Its narrative focuses on psychological themes of identity, doppelgängers, and male repression, without engaging with transgender experiences or issues. Therefore, there is no portrayal to evaluate within the scope of this rubric.
The movie does not contain any action or adventure elements.
The film "Enemy" is an adaptation of José Saramago's novel "The Double." All major characters, including the two male protagonists and their female partners, maintain their original genders from the source material in the film adaptation.
The film "Enemy" is an adaptation of José Saramago's novel "The Double." The main characters, implicitly white in the source material, are portrayed by white actors in the film. There is no evidence of a character's race being changed from their established canon.
Combines user and critic ratings from four sources























