4.3
Viewer Rating
Combines user and critic ratings from four sources
Enough (2002)
Enough (2002)
Overview
Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Center
Diversity: High
Viewer Rating
4.3
Overview
Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film addresses the apolitical issue of domestic abuse and a woman's fight for survival, portraying a solution of individual self-defense when institutions fail to protect. It does not explicitly promote a specific political ideology, balancing themes of female empowerment with individual self-reliance.
The movie features visible diversity in its lead casting with a Latina actress. Its narrative explicitly portrays a white, male character as the central antagonist, framing traditional identities negatively through the lens of domestic abuse and the protagonist's fight for liberation.
Secondary
The film 'Enough' does not feature any identifiable LGBTQ+ characters or themes within its storyline. The plot focuses entirely on a heterosexual couple and the protagonist's struggle against domestic abuse, resulting in no LGBTQ+ portrayal to evaluate.
The film "Enough" does not feature any identifiable transsexual characters or themes. Its narrative focuses entirely on a woman's struggle to escape an abusive marriage and protect her child, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
Enough (2002) is an original film with characters created specifically for its screenplay. There are no pre-existing characters from source material, prior installments, or historical records whose gender could have been altered.
The film "Enough" (2002) is an original screenplay. All characters were created for this specific film, meaning there is no prior source material or historical record establishing their race before this production. Therefore, no race swaps occurred.
Viewer Rating Breakdown
User Ratings
5.8
6.7
Critic Ratings
2.2
2.5
More Like This
Progressive
6.9
Kiss of the Spider Woman
(2025)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
7.0
Syriana
(2005)
Political: Strong Left
Diversity: High
Leans Progressive
7.9
Searching
(2018)
Political: Center
Diversity: High
Leans Progressive
7.8
Menace II Society
(1993)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.5
Dog Day Afternoon
(1975)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
8.3
Blade Runner
(1982)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.8
The Contender
(2000)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.9
I Care a Lot
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.7
The Quiet American
(2002)
Political: Leans Left
Diversity: Moderate
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
6.7
Leave the World Behind
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Progressive
7.3
The Lost Bus
(2025)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.4
Run
(2020)
Political: Center
Diversity: High
Leans Progressive
7.5
Jackie Brown
(1997)
Political: Center
Diversity: High
Progressive
7.1
The Manchurian Candidate
(2004)
Political: Leans Left
Diversity: High
Leans Progressive
8.1
Traffic
(2000)
Political: Leans Left
Diversity: Moderate
Progressive
6.8
Candyman
(1992)
Political: Strong Left
Diversity: High
Leans Progressive
6.8
Bound by Honor
(1993)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Leans Progressive
8.2
Bad Day at Black Rock
(1955)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.5
Gorillas in the Mist
(1988)
Political: Leans Left
Diversity: Moderate