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King Ivory (2025)
Based on extensive research involving law enforcement and gang members, a never-before-seen, authentic look inside the underworld of fentanyl trafficking from gangs inside the Oklahoma State Penitentiary at McAlester a.k.a. "Big Mac."
Based on extensive research involving law enforcement and gang members, a never-before-seen, authentic look inside the underworld of fentanyl trafficking from gangs inside the Oklahoma State Penitentiary at McAlester a.k.a. "Big Mac."
The film's dominant themes align with progressive values through its systemic critique of the War on Drugs, portrayal of law enforcement's moral ambiguity, and framing of addiction as a societal crisis rooted in economic and social determinants, despite not explicitly advocating for specific policy alternatives.
The movie features a racially and ethnically diverse cast, including significant Indigenous and Black representation in prominent roles. Its narrative deeply explores DEI themes by focusing on the intersection of race, class, and community, humanizing marginalized groups, and critiquing systemic issues related to the fentanyl epidemic.
King Ivory is a crime thriller centered on the fentanyl crisis in Tulsa, depicting the drug trade and its impact. Based on available information, the film does not include or address LGBTQ+ characters or themes. Its narrative is concentrated on the drug epidemic and crime elements, resulting in no identifiable LGBTQ+ portrayal.
King Ivory does not appear to include or address transsexual characters or themes. The film's narrative and character descriptions are entirely focused on the drug crisis, crime, and law enforcement. For example, all available plot summaries and character details consistently omit any mention of transsexual identities or related issues.
The movie does not contain any action or adventure elements.
King Ivory (2025) is an original film with newly created characters and no pre-existing source material or historical figures. Therefore, no characters have a prior canonical gender that could be altered, resulting in no gender swaps.
King Ivory is an original screenplay, meaning all characters are new creations without pre-existing racial definitions from source material or historical records. Consequently, there is no basis for a race swap.
Combines user and critic ratings from four sources























