6.1
Viewer Rating
Combines user and critic ratings from four sources
Forsaking All Others (1934)
Forsaking All Others (1934)
Overview
A socialite only realises that her friend is in love with her when she falls for the wrong man.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.1
Overview
A socialite only realises that her friend is in love with her when she falls for the wrong man.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter revolves around individual romantic relationships and personal happiness, with its narrative and resolution lacking any explicit or implicit political agenda or ideological promotion, thus positioning it as politically neutral.
This 1934 film features traditional casting with a predominantly white ensemble, consistent with its era. The narrative maintains a neutral or positive framing of traditional identities, without engaging in critical portrayals or explicit DEI themes.
Secondary
The film 'Forsaking All Others' does not feature any identifiable LGBTQ+ characters or themes. Its plot revolves around a traditional love triangle and heterosexual romantic entanglements, offering no depiction of queer identity or experience.
The 1934 romantic comedy-drama 'Forsaking All Others' does not feature any transsexual characters or themes. The narrative centers on a traditional love triangle, with no elements suggesting transgender identity or experiences are depicted.
The movie does not contain any action or adventure elements.
The 1934 film "Forsaking All Others" is an adaptation of a 1933 play. A review of the main characters and their portrayals indicates no changes in gender from the original stage production to the film version.
The film is an adaptation of a 1933 play. There is no evidence that any character, as established in the source material or prior iterations, was portrayed by an actor of a different race in the 1934 film.
Viewer Rating Breakdown
User Ratings
6.4
5.9
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.3
The Band Wagon
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.8
(500) Days of Summer
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.1
Irma la Douce
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.4
Sideways
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.7
How to Succeed in Business Without Really Trying
(1967)
Political: Center
Diversity: Low
Traditional
7.9
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
An American in Paris
(1951)
Political: Center
Diversity: Low
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Thin Man
(1934)
Political: Center
Diversity: Low
Leans Traditional
7.5
Operation Petticoat
(1959)
Political: Center
Diversity: Low
Traditional
7.1
Plus One at an Amish Wedding
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Miss Pettigrew Lives for a Day
(2008)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.3
Girl Shy
(1924)
Political: Center
Diversity: Low
Leans Traditional
7.8
Metropolitan
(1990)
Political: Center
Diversity: Low
Leans Traditional
6.9
Being Julia
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.0
Maggie Simpson in "Playdate with Destiny"
(2020)
Political: Center
Diversity: Low
Leans Traditional
8.4
Lost in Translation
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
8.6
Top Hat
(1935)
Political: Center
Diversity: Low
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low