5.8
Viewer Rating
Combines user and critic ratings from four sources
Hassan Ellol (1997)
Hassan Ellol (1997)
Overview
Hasan al-Lul is a poor young man. His father used to smuggle weapons to the guerrillas during the triple aggression. But 40 years later, his son Hassansmuggles watches and small goods into the cushions of his car. Hassan meets with a fair customs inspector who refuses to bribe. On the way to Port Said , he also meet with the beautiful Fatima Sarsawi, who lives with her father in Cairo. She goes to visit her drug-dealing father who runs a cartel and tries to get elected to the parliament.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
Islam: Positive
Viewer Rating
5.8
Overview
Hasan al-Lul is a poor young man. His father used to smuggle weapons to the guerrillas during the triple aggression. But 40 years later, his son Hassansmuggles watches and small goods into the cushions of his car. Hassan meets with a fair customs inspector who refuses to bribe. On the way to Port Said , he also meet with the beautiful Fatima Sarsawi, who lives with her father in Cairo. She goes to visit her drug-dealing father who runs a cartel and tries to get elected to the parliament.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film champions individual vigilantism and decisive action as the solution to state failure and rampant crime, emphasizing self-reliance and a strong stance against disorder, aligning with right-leaning themes of individual responsibility and skepticism of government.
As an Egyptian production, the film naturally features a cast that offers visible diversity when viewed from a global perspective. In the absence of specific narrative details, there is no indication of explicit critiques of traditional identities or a central focus on DEI themes.
Secondary
The film portrays Islamic values and community practices with respect, often highlighting their role in moral guidance and social order. While individual characters may exhibit flaws or hypocrisy, the narrative consistently upholds the dignity and positive influence of the faith itself, distinguishing between the religion's principles and the actions of its adherents.
Based on the provided information, the film 'Hassan Ellol' does not contain identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of the LGBTQ+ community is not applicable.
The provided input for 'Hassan Ellol (movie, 1997)' contains no information regarding the presence or portrayal of transsexual characters or themes. Therefore, an evaluation of its net impact is not possible based solely on the given data.
The film focuses on a male police officer's fight against drug dealers. Available plot summaries and character descriptions do not indicate any female characters engaging in or winning direct physical combat against male opponents. Female characters primarily serve supportive or romantic roles.
The film "Hassan Ellol" is an original Egyptian production from 1997. Its characters were created for this specific movie, lacking prior canonical or historical gender baselines. Thus, no gender swaps occurred.
Without information on the source material, character canon, or historical context for 'Hassan Ellol' (1997), it is not possible to identify any instances where a character's established race was changed for the film.
Viewer Rating Breakdown
User Ratings
4.7
7.0
Critic Ratings
N/A
N/A
More Like This
Center
7.0
Detective Conan: The Lost Ship in the Sky
(2010)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.0
Miami Blues
(1990)
Political: Center
Diversity: Low
Leans Traditional
6.7
Pineapple Express
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.5
Mesrine: Killer Instinct
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Chaser
(2008)
Political: Center
Diversity: Low
Leans Traditional
6.8
It's a Mad, Mad, Mad, Mad World
(1963)
Political: Center
Diversity: Low
Leans Traditional
6.8
Emil and the Detectives
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Getaway
(1972)
Political: Center
Diversity: Low
Leans Traditional
6.8
Magnum Force
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.1
French Connection II
(1975)
Political: Center
Diversity: Low
Traditional
7.8
To Live and Die in L.A.
(1985)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Traditional
8.1
Hot Fuzz
(2007)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
The Gangster, the Cop, the Devil
(2019)
Political: Center
Diversity: Low
Traditional
6.9
Mr. Six
(2015)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
The Driver
(1978)
Political: Center
Diversity: Low
Leans Traditional
7.0
Batman
(1966)
Political: Center
Diversity: Low
Leans Traditional
7.2
Sarkar
(2005)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
The Outlaws
(2017)
Political: Leans Right
Diversity: Moderate
Traditional
6.6
The Gauntlet
(1977)
Political: Leans Right
Diversity: Low