5.8
Viewer Rating
Combines user and critic ratings from four sources
Hassan Ellol (1997)
Hassan Ellol (1997)
Overview
Hasan al-Lul is a poor young man. His father used to smuggle weapons to the guerrillas during the triple aggression. But 40 years later, his son Hassansmuggles watches and small goods into the cushions of his car. Hassan meets with a fair customs inspector who refuses to bribe. On the way to Port Said , he also meet with the beautiful Fatima Sarsawi, who lives with her father in Cairo. She goes to visit her drug-dealing father who runs a cartel and tries to get elected to the parliament.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
Islam: Positive
Viewer Rating
5.8
Overview
Hasan al-Lul is a poor young man. His father used to smuggle weapons to the guerrillas during the triple aggression. But 40 years later, his son Hassansmuggles watches and small goods into the cushions of his car. Hassan meets with a fair customs inspector who refuses to bribe. On the way to Port Said , he also meet with the beautiful Fatima Sarsawi, who lives with her father in Cairo. She goes to visit her drug-dealing father who runs a cartel and tries to get elected to the parliament.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film champions individual vigilantism and decisive action as the solution to state failure and rampant crime, emphasizing self-reliance and a strong stance against disorder, aligning with right-leaning themes of individual responsibility and skepticism of government.
As an Egyptian production, the film naturally features a cast that offers visible diversity when viewed from a global perspective. In the absence of specific narrative details, there is no indication of explicit critiques of traditional identities or a central focus on DEI themes.
Secondary
The film portrays Islamic values and community practices with respect, often highlighting their role in moral guidance and social order. While individual characters may exhibit flaws or hypocrisy, the narrative consistently upholds the dignity and positive influence of the faith itself, distinguishing between the religion's principles and the actions of its adherents.
Based on the provided information, the film 'Hassan Ellol' does not contain identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of the LGBTQ+ community is not applicable.
The provided input for 'Hassan Ellol (movie, 1997)' contains no information regarding the presence or portrayal of transsexual characters or themes. Therefore, an evaluation of its net impact is not possible based solely on the given data.
The film focuses on a male police officer's fight against drug dealers. Available plot summaries and character descriptions do not indicate any female characters engaging in or winning direct physical combat against male opponents. Female characters primarily serve supportive or romantic roles.
The film "Hassan Ellol" is an original Egyptian production from 1997. Its characters were created for this specific movie, lacking prior canonical or historical gender baselines. Thus, no gender swaps occurred.
Without information on the source material, character canon, or historical context for 'Hassan Ellol' (1997), it is not possible to identify any instances where a character's established race was changed for the film.
Viewer Rating Breakdown
User Ratings
4.6
7.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.0
Crows Zero
(2007)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
The Roundup
(2022)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.4
Ong-Bak
(2003)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.9
Emil and the Detectives
(1964)
Political: Center
Diversity: Low
Leans Traditional
6.8
It's a Mad, Mad, Mad, Mad World
(1963)
Political: Center
Diversity: Low
Traditional
7.2
Crows Zero II
(2009)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
The Outlaws
(2017)
Political: Leans Right
Diversity: Moderate
Traditional
6.8
Dragged Across Concrete
(2019)
Political: Strong Right
Diversity: Moderate
Leans Traditional
6.9
K.G.F: Chapter 2
(2022)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.9
Sherlock Holmes
(2009)
Political: Center
Diversity: Low
Leans Traditional
6.7
As Good as Dead
(2022)
Political: Leans Right
Diversity: Moderate
Center
7.3
Master Z: Ip Man Legacy
(2018)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Traditional
6.8
Patriot Games
(1992)
Political: Leans Right
Diversity: Low
Traditional
6.8
Walking Tall
(1973)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
The Roundup: Punishment
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.6
Sicario: Day of the Soldado
(2018)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.5
The Foreigner
(2017)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.2
Shaunki Sardar
(2025)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
Magnum Force
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.3
Vikram
(2022)
Political: Leans Right
Diversity: Low
LGBTQ: Positive