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His Pistol is Hell (1958)

His Pistol is Hell poster

His Pistol is Hell (1958)

Overview

"Masayoshi Ryanko" jumps into the den of the underworld swirling with smuggling and murder, and defeats the culprit with a heart-pounding pistol.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low

Viewer Rating

Not Rated


Overview

"Masayoshi Ryanko" jumps into the den of the underworld swirling with smuggling and murder, and defeats the culprit with a heart-pounding pistol.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

No plot details or thematic information were provided for 'His Pistol is Hell', making an objective political bias assessment impossible. Consequently, a neutral rating is assigned due to the absence of discernible ideological context or narrative solutions for evaluation.

The movie features casting that is traditional for its cultural origin and era, without incorporating explicit DEI-driven character changes. Its narrative does not present critical portrayals of traditional identities or central DEI themes.

Secondary

Based on the provided information, no identifiable LGBTQ+ characters or themes are present in the film "His Pistol is Hell." Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.

The film "His Pistol is Hell" (1958) does not feature any identifiable transsexual characters or themes. There is no depiction of transgender identity or related narratives within the movie's plot or character arcs, resulting in a determination of N/A for its portrayal.

The film, a 1961 yakuza production, primarily focuses on male characters in its action sequences. Female characters, such as Akiko, serve in supporting roles, often as love interests or victims, and are not depicted engaging in or winning close-quarters physical combat against male opponents.

This 1958 film is not widely known as an adaptation of a prior work with established characters, nor does it feature historical figures. There is no readily available information indicating any character's gender was changed from a canonical or historical source.

This 1958 Japanese film is an original production with a Japanese cast and setting. There are no characters established in prior source material or history as a different race who are portrayed as another race in this film.


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