Viewer Rating
Combines user and critic ratings from four sources
Fantasy, Music • 2025 • 109 min

Ten-year-old Ida believes that the mysterious angelic singing resounding across the village graveyard is the only thing keeping her beloved Grandma alive. So she decides to join the school choir-even though she is absolutely tone deaf.
Lana Maric • Liza Mursic • Judita Frankovic
Ten-year-old Ida believes that the mysterious angelic singing resounding across the village graveyard is the only thing keeping her beloved Grandma alive. So she decides to join the school choir-even though she is absolutely tone deaf.
Lana Maric • Liza Mursic • Judita Frankovic
Set in rural Slovenia during the 1970s, the film portrays a young girl's turn to imagination, secret Catholic rituals, and personal faith as refuge from socialist schooling, family conflict, and the rigid demands of the communist system.
The film follows a young girl in rural Slovenia who believes her singing can protect her grandmother, blending everyday village life with magical realism in a story rooted in local culture and family bonds.
The film portrays a young girl's deep bond with her grandmother and her private Catholic faith as sources of stability and comfort while her parents' marriage faces constant arguments and the threat of breakup, underscoring multigenerational ties and religious ritual amid nuclear family strain.
The film presents Catholicism through a child's sincere faith and secret prayers, framing it as a source of comfort, protection, and poetic connection to the divine amid external pressures.
Ida Who Sang So Badly Even the Dead Rose Up and Joined Her in Song follows a young girl's imaginative journey through loss and growing up in communist Yugoslavia, rendered with magical realism and no identifiable LGBTQ+ characters or themes.
This coming-of-age tale centers on a young girl's emotional and imaginative experiences in a Yugoslav village, with no transgender characters or related themes explored.
The movie does not contain any action or adventure elements.
The film adapts Suzana Tratnik’s novel Neither Voice with its central character Ida remaining a young girl, consistent with the source material and without any documented changes to established character genders.
The film presents an original narrative centered on newly invented characters in a 1970s Slovenian village setting, with no established source material or prior canon specifying any character's race.
Not depicted.
Combines user and critic ratings from four sources























