Viewer Rating
Combines user and critic ratings from four sources
Action, Comedy, Documentary • 2026 • 92 min • Adults (18+)

Jackass: Best and Last is the fifth and reportedly final entry in the franchise, reuniting the longtime crew for one more round of stunts, pranks, and the kind of physical comedy that makes liability lawyers nervous. The bias label reads Progressive, though the evidence for it is thin. No political themes, religious content, or identity storylines surface in available signals. The mild lean comes from framing the crew's bonds as a chosen family, a construct that tends to read as progressive in cultural shorthand. Otherwise, this is aging men hurting themselves for laughs, a tradition as old as vaudeville and arguably just as apolitical.
Jason 'Wee Man' Acuña • Lance Bangs • Tory Belleci
Jackass: Best and Last is the fifth and reportedly final entry in the franchise, reuniting the longtime crew for one more round of stunts, pranks, and the kind of physical comedy that makes liability lawyers nervous. The bias label reads Progressive, though the evidence for it is thin. No political themes, religious content, or identity storylines surface in available signals. The mild lean comes from framing the crew's bonds as a chosen family, a construct that tends to read as progressive in cultural shorthand. Otherwise, this is aging men hurting themselves for laughs, a tradition as old as vaudeville and arguably just as apolitical.
Jason 'Wee Man' Acuña • Lance Bangs • Tory Belleci
Web searches across major review aggregators and outlets returned no evidence of political themes, ideological framing, or bias in the film's content or reception; it is presented solely as stunt-based gross-out comedy focused on friendship and aging.
The movie features its core group of longtime performers executing signature stunts and celebrating the franchise's history of male camaraderie with no evident changes to established casting patterns or narrative emphasis on identity themes.
The film contains no meaningful depictions of marriage, parenting, gender roles in the home, or traditional family structures; its narrative centers on stunt performances and the adult male crew's interpersonal bonds, which one review frames positively as 'chosen family' providing emotional support and belonging outside blood or legal ties.
The film contains no identifiable LGBTQ+ characters or themes. It consists of stunt comedy and male-bonding sequences centered on the returning cast performing pranks and gross-out gags.
The film features no transgender characters or themes. It centers on the returning Jackass crew performing stunts and pranks with gross-out humor and nostalgic elements, including appearances by Rachel Wolfson and others in comedic scenarios unrelated to gender identity.
The film consists of stunt performances, pranks, and slapstick comedy with an all-male core cast and limited female participation that does not include combat roles. No scenes show female characters defeating male opponents in direct physical combat.
Jackass: Best and Last features the franchise's established male performers executing stunts in their real-world identities, with no recast legacy characters or gender alterations.
The film continues the Jackass franchise with the same real-life cast members from prior entries performing stunts as themselves, plus new additions introduced in the previous film. No fictional characters, adaptations, or recasts of established roles occur.
Not depicted in the film.
Combines user and critic ratings from four sources























